Signature Butterflies

Signature Butterflies

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When I was planning my projects for my new Signature fabrics collection for Art Gallery fabrics I created rooms and looks, then designed my sewing around what would fit into those rooms. 

One of the looks is what I'm calling the Signature Baby Room. I wanted a gender-neutral room for a baby or young child that loves nature. Using my granddaughter as my model toddler, I knew there had to be butterflies, because she LOVES butterflies!

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My original inspiration for making butterflies using fabric came from Kim of Go-Go Kim. Kim has a great tutorial for gluing fabric to paper to hang butterflies in shadow boxes. I wanted to make a bit sturdier butterfly with all fabric and came up with a hybrid of sorts...

Materials Needed for Making Signature Butterflies:

  • Signature Butterfly Templates
  • Fabric scraps at least 1/4'' larger around than template size
  • Heat n Bond Lite iron-on adhesive or similar product like Pellon EZ-Steam one-sided pressure sensitive fusible web (optional, see next item on list)
  • Pellon TP970 Thermolam Plus Sew-in fleece (Note: If using a fleece with an adhesive side, omit iron-on adhesive product from the line above)
  • Iron and pressing cloth
  • Coordinating thread
  • Scissors
  • Air-solvable marking tool
  • Spray paint (optional)
  • Frame or shadow box

Making Butterflies

Download the Signature Butterfly Templates and print out at actual size. Check for accuracy using the 1'' reference square on the PDF. Cut out butterfly shapes. Tip: For a more durable template, print onto card stock paper. 

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On the Pellon Thermolam Plus Sew-in fleece, trace around desired butterfly shapes, leaving at least 1/8'' between shapes. Note: There's no right or wrong side to sew-in fleece but if using a fleece with an adhesive side then draw on the non-adhesive side. 

Following the manufactuer's instructions, adhere the iron-on adhesive (Heat n Bond or EZ-Steam type product) to the unmarked side of the fleece. Omit if using a fleece with an adhesive backing.

My butterflies only have fabric on one side and those wishing to do the same can move onto the next step noting that my tutorial images reflect only one side with fabric. But, if you're planning on fabric backing both the front and the back of your butterflies then adhere iron-on adhesive to the marked side of the fleece as well before moving to the next step, leaving the paper backing on until ready to adhere to fabric.

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Cut out butterfly shapes.

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Following the manufacturer's instructions, fuse the adhesive side(s) of the fleece butterfly shape to the wrong side of desired fabric(s). 

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Cut out butterfly shape using the edge of the fleece as your guide.

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To add even more durability to your butterfly, add decorative stitches around the shape, add details like body shape, or embellish as desired. 

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I always love playing around with materials and thinking outside the box. Because I wanted to add a bit of bling to my butterflies and include some metallic elements I decided to try spray painting the backs. 

Using a piece of cardboard and pin to hold the butterfly in place while I sprayed it I was very pleased how the gold spray paint took on the fleece backing. It didn't change the feel of the fleece and gave a nice gold tipped edge to my creations. 

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After the spray paint dried, I could go back in and add more dimension to my butterfly by folding and sewing very close the the folded body edges. 

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Let Your Imagination Soar!

Once know this technique for fusing fabric to fleece and making butterflies, the sky's the limit to what you can create. 

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My largest butterfly became an unique piece of art when I hand stitched it to the center of a rush placemat from Target. 

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I used this technique to cover a mirror with fabric faced fleece and simply glued the fleece in place with Aleene's No-Sew Fabric Glue so it's non-permanent and can easily be removed with water in the future. 

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To fill the gaps between my mirror backing and the frame I used fabric glue to attach some Dritz natural-colored Twist Cord to act like decorative molding. 

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A 3-D butterfly was simply pinned with a decorative straight pin directly to the fabric backing. 

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For this bejeweled shadow box I fleece backed fabric in the same technique as in the above projects and cut a backing size to fit a dollar store shadow box frame that had a saying printed on the backing. The opaque quality of the fleece blocked out the saying on the picture. Before hot gluing the fleece back fabric to the frame I pinned vintage brooches to the fabric for a one-of-a-kind, nature-inspired wall art. 

Hoop Art

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For a more traditional way to create art for your walls and bring nature inside is to use prints from my Signature and embellish them with embroidery and appliqué. For my Hoop Art I fussy cut a bouquet from my Extempore Celebration print and appliquéd a dragonfly, bee, and butterfly from the Small World Sprightly print. 

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Starting with an over-sized square each I sandwiched the following materials: Extempore Celebration right sides up on top, Hobb's Tuscany Silk batting in the center, and a Pure Element solid right side out on the back. I embellished the main print with embroidery and quilting stitches then added needle turn appliquéd cut outs from the Small World Sprightly print with blanket stitch edge detail. 

Once all the needle work was done, I re-stretched the art in the hoop, secured it tightly with the screw at the top, then trimmed the edge of the fabrics even with the edge of the hoop. 

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I hope this gives you some new ideas for how to customize and create art for your home. So many more things can be done with these techniques--I hope you'll give it a try!

October

My Favorite Month

Leaf prints by Sharon Holland for Art Gallery Fabrics

Leaf prints by Sharon Holland for Art Gallery Fabrics

Fall is my favorite time of year and October (being my birthday month) is my favorite month of the year. I have always loved trees and tend to draw and paint them a lot. Many of my fabric collections contain some sort of leaf print:

Top row - Sketchbook Framework, Tapestry Eternal, and Coastline Tropical

Middle row - Bountiful Vine, Bountiful Arborescent, and Sketchbook Framework

Bottom row - Tapestry Eternal, Coastline Tropical, and Bountiful Scenic. 

This year the weather here in Ohio has been all over the place and our growing season seems a bit turned around. The plants and trees got an early start due to a mild winter but a hot spring slowed growth so spring and summer flowers were not very showy. Although the plants in my yard are still not full, we are experiencing some second blooms on plants like Coneflowers, Black-eyed Susans, Coreopsis, and of course Mums, Autumn Joy, and Sunflowers are seasonally now in bloom. I don't normally have this much color in my yard this late in the season and it makes one think summer might last forever. 

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In the past I've painted predominantly landscape paintings and landscapes with barns. I've been wanting to get back to my canvases for some time now but it never seems to fit into my schedule. I've been taking photos of flower bouquets to have a reference for painting later when I have time to paint and want to try my hand at still life painting this next time around. I wish I could stop and paint while the flowers are fresh but my days seem to always be full of other priorities. These photos will have to do when I'm ready to paint and I love that the flowers and branches came from my yard. 

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I did have a chance at the end of September to get out my oil paints and relearn how to paint. It has been too long between sessions and I feel very rusty. In fact, I am so rusty that my first attempt paining this creamer with flowers I grabbed some tubes of acrylic paint (which I though were oils) and painted with a mix of oil and acrylic. Needless to say it was not a great experience and I couldn't figure out why the paints didn't act like I was used to them handling. 

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This very clumpy painting is okay but left much to be desired. I decided to redo the same image the next day so I could concentrate on mixing colors better, working with only oils (hee hee, that was a big improvement right there!), bolder and looser strokes.

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Much improved but still a long ways to go to get to where I want to be. This is something that will take time and because I love the process of learning as much as I like doing it will be a fun challenge. I still want to loosen up my strokes but once I have reacquainted myself with the basic techniques of painting with oils I wont have to concentrate on those so much and can work on style and strokes next. 

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Last week my husband and I had a great time in Phoenix, Arizona celebrating his father's 89th birthday. It always blows my mind seeing the desert landscape and I cannot help but feel I've stepped onto a different plant! I have no idea if the plants in AZ normally bloom this time of year or if they're also experiencing a second bloom season but I was pleasantly surprised to find so many blooming plants there this visit. I do love all the texture and the small leaves on the trees. 

I did come away with a pattern idea from our trip that I intend to explore this week and see if anything comes from it. My only hint is it's not from the plants and is inspired by something man-made and natural at the same time. Although the desert plants are really beautiful I don't feel a deep connection to them as I do the plants native to the Midwest so I will leave those to photography at this time. 

Photo cortesty of Quilter's Planner

Photo cortesty of Quilter's Planner

Looking ahead October will fly by. Quilt Market is only a week and a half away! The 2018 Quilter's Planner calendar will be available soon and this year it's packed with goodies. A separate magazine will have quilt patterns and it also comes with 4 pages of planning stickers by Alison Glass! To see all what the 2018 Quilter's Planner has to offer read more here (affiliate link).

Photo courtesy of Quilter's Planner

Photo courtesy of Quilter's Planner

Enjoy the beauties of October and soak in the last warm rays left-over from summer!