Hold Tight Sew Along Week #1

Hold Tight Sew Along Week #1

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Welcome to Week #1 of the Hold Tight Sew Along! For this blog post, and the following three posts, I'll be share tips and tutorials to bring your quilting skills to a new level. No longer will curved piecing hold you back from stitching a quilt with curves! 

If you don't have the pattern already, you'll want to purchase the Hold Tight PDF pattern from my Shop page or from our friends at Fat Quarter Shop who now carries this pattern as well as Hold Tight quilt kits. Please note that the kits from FQS will be ready to ship at or around March 23rd. Use the “Notify Me” function on the kit page to get updates on your order’s shipping date. These blog posts serve to supplement the instructions but don't provide the detailed pattern information that you'll find in the PDF available for purchase. The Hold Tight pattern will have your material list, cutting requirements, full-size templates, and be fully illustrated. My supplementary blog posts are just that, supplementary and meant to guide you along as you sew.

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From now until April 10, 2019 I'll be breaking down the key components of the Hold Tight baby quilt pattern into four manageable tutorial blog posts. These tutorials will be useful to anyone working with fabric and patchwork regardless what quilt is being made. In addition to my written posts, I’ve adding skill-building demonstration videos to further your learning experience. The videos support Weeks #1 through #3 and you’ll find these helpful videos on my Sew Along page. All the videos will be available on Week #1 of the sew along for those wanting to work ahead and will stay a permanent feature to resource in the future.

Color and Transparency Effects

As outlined in last weeks blog post, Hold Tight Sew Along, I'll be covering a new topic each week. This week's lesson is all about selecting colors and working with transparency effects. 

Color is a big subject, but I'll attempt to give you a practical and applicable approach to color as it pertains to selecting fabrics for this quilt. 

Since color is the first thing anyone notices in a quilt—even before the design, we need an entire post just on this subject. The Hold Tight baby quilt offers plenty of opportunity to play with color through the graphic shape of a balloon. But where do you begin when you must decide on a maximum of 20 different solids!!!???

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This quilt is marketed as a baby quilt but its large size also makes it suitable as a throw-size quilt for any age. Maybe there's already a nursery color scheme selected, favorite colors, or some sort of predetermined color inspiration (like from printed fabric or artwork). That's really helpful and gets you halfway to a fabric pull. If you'd like to create a color palette from creating a mood board, take a look back at the Community Sampler Week #1 post on this blog. If you remember, I made my Community Sampler quilt using Art Gallery Fabrics Pure Solids and my color inspiration came from creating a mood board from images I found on Pinterest. But, if selecting a color palette still seems daunting, read on.

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As a textile designer, artist, and newbie to embroidery coming up with color palettes and selecting just the right color for a given project is an ongoing challenge. Rather than focusing just on color relationships and schemes like you'd find on a color wheel (e.g. Complementary, Split Complementary, Diad, Triad, and Tetrad), I'll walk you through color composition instead and how to select hues that work in unity together because of their shade, tint, and/or tone. Once you've discovered how to view a color by what colors it's made from you can always go back and incorporate traditional color wheel schemes into your fabric selection process.

When you start seeing beyond the colors within a given color (hue) you'll be able to successfully mix colors physically like with paint for example or visually, like with fabric transparency effects.

In this tutorial I'll be using the following technical terms:

Shade: Amount of black added to the hue

Tint: Amount of white added to the hue

Tone: Amount of gray added to the hue

Value: Lightness or darkness

Intensity: Brightness or dullness

Before I tackle mixing colors, let's first discuss the easiest way to select colors that achieve the effect of unity and transparency by using a Monochromatic color scheme. For both the Hold Tight pattern sample and the quilt you'll see featured in the sew along tutorials I'm using a combination of monochromatic color trans effects and mixed color transparency effects and sewing with Art Gallery Fabrics Pure Solids fabrics.

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A Monochromatic color scheme uses one color and the shades and tints of that color. Art Gallery Fabrics has an array of shades and tints available for their Pure Solids and makes it easy to achieve beautiful gradation steps of colors—creating a transparency effect where the balloons overlap.

The four monochromatic color schemes above illustrate color steps arranged from tints (lightest) to shades (darkest) of a hue.

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To illustrate mixing colors I'm going to refer back to the color wheel and start with the Primary Colors which are blue, red, and yellow. These three colors cannot be created by mixing other colors. 

If you mix equal parts blue and red you'll get violet (or also referred to as purple). Mixing red and yellow will create orange and mixing yellow and blue will result in green. These resulting colors are called Secondary Colors because they were made from mixing two different Primary Colors. 

Tertiary Colors are the result of mixing a Primary Color with a Secondary Color. The resulting color name always has the primary color first followed by the secondary color. For example: blue-green, red-violet, red-orange, yellow-orange, and yellow-green.

Crayola Color Wheel

Crayola Color Wheel

As a kid I was fascinated by color and as soon as I could read I was memorizing the names of the crayons. From early on I saw the pattern of this primary color name first followed by secondary color name as a way to distinguish one color from another.

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Anyone who's gone to the hardware store to buy a can of white paint knows about the zillions of options there are for “white” paint. Do you want a yellow-white, a pink-white (which has a whisper of red paint added to the can), a cool, blue-white, a white with a warm, green cast...??? You get the idea. Once you understand about Primary, Secondary, and Tertiary Colors you can start to see what makes up a particular hue.

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I'm remaking a Hold Tight quilt for this sew along to put myself in your shoes of where to start for selecting colors. I had no color scheme in mind, so I got out my watercolor paints. If you don't have watercolors then attempt the same exercise with colored pencils, acrylics, pastels, crayons, markers, colored tissue paper that can be overlapped, or anything that can be mixed, blended, or overlaid and put onto paper for this lesson.

Begin with mixing Primary Colors to make violet, green, and yellow. Try to get as close of a match to a true Secondary hue as possible just to give yourself a clean and bright color sample (see Intensity definition). Next, create your Tertiary Colors. This is your starting point.

Start mixing colors and see what you end up with. I guarantee you'll create a lot of stuff you're pretty meh about but what's happening is you're learning about color and what colors go into to making a new color.

Now it's time to add black to your colors to create shades and darken a hue. A fun outcome of adding black to yellow is you'll create a drab olive green. True story: I never use a pre-mixed black paint when painting. I always create some sort of near-black from the colors already used in the art.

Next, add white to make tints and lighten a hue.

For some real fun try mixing colors that are directly across from each other on the color wheel (e.g. Complementary Colors). The results can vary from creating different brown hues to different gray tones depending on what colors make up the resulting hue.

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After this exercise about shades, tints, and tones you'll start to notice how adding black, white, or a Complimentary Color has changed the original color's intensity and value. Intensity and value play a big part in relative contrast and why some colors appear dull and other bright. Using fabrics of the same relative intensity but of varying values is a good rule of thumb to give the overall effect of unity. All bright colors look less bright when placed in the same quilt or piece of art. Likewise if the palette is all muted or duller those colors make sense together because of the relative sameness. Now that's not a hard and fast rule, just an example. Many times in art, mixing intensities of colors can create a focal point where the bright, pure color stands out above the more muted tones. Artists often use colors of different intensities, temperatures (cool or warm), and values to make objects advance or recede in a painting.

Contrast is very similar to Intensity and describes the amount of difference between two or more colors. We know as quilters that contrast plays a big part in how a block reads or a quilt pops. If there’s little or no contrast between touching colors (or prints) then the overall effect is very flat and at a distance may read as one solid mass.

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A great way to make a transparency areas successful is to utilize dark, medium, and light contrasting colors. Dark, medium, and light contrasts can be positioned in any order but I’ve found when a dark color is used on a balloon and a light colored balloon is overlapping it, using a medium (mixed result) color in the transparency area will be most affective for creating a transparency illusion. See the photo below at the transparency overlapping blocks.

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Take a look at the colors you mixed and hopefully, there's some colors and blending that really speaks to you! For my quilt(s) I'm using Art Gallery Fabrics Pure Solids. Pull out all your solid fabrics or take your paper swatches to your fabric store for reference when purchasing fabrics. You may want to cut out the paint or mixed samples you want to work with. Assign the colors and color combinations you love a fabric that matches as close as possible. Don't feel you need to follow your mixed samples exactly and depending upon your available fabric colors you may need to make adjustments. Implement what you've learned in this mixing exercise and soon you'll be able to confidently make judgements about color mixing in your minds eye. Remember to look closely at the underlying colors that make up the color of the fabrics and select the transparency fabric color that would simulate as closely as possible the “mixed” result if you could mix the fabrics on either side of the transparency shape. Notice in the Monochromatic color scheme examples I’d grouped the colors by yellow-greens, greens, blue-greens, and aquas.

I’m calling my second Hold Tight quilt the Art Class Color Story because the above photo was the AGF color palette I came up with after my paint mixing exercise. Because I still need some print in my life I like adding a fun printed backing to an all solid quilt top. The Sporangia Plaid print from my Art Gallery Fabrics Signature collection was perfect!

The Art Class Color Story quilt uses PE-408 as the background and PE-402, PE-405, PE-410, PE-414, PE-427, PE-450, and PE-466 as the transparency fabrics.

If you have a design wall, pin up some swatches and take a step back. Squint your eyes and see if the colors make sense together. Likewise, taking a photograph of the fabric pull and viewing the photo on a screen can sometimes allow you to see color relationships you didn't notice in person.

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If you’d like a fun read about fascinating and unknown histories of color, add The Secret Lives of Color to your library. Awarded NPR Best Books of 2017. (Amazon Affiliate link).

My fellow Art Gallery Fabrics Designers, Dana Willard, Mathew Boudreaux, and Alexandra Bordallo along with AGF Sewcialite Carolina Moore will also be sewing along with us and making a Hold Tight quilt. I’m excited to see the beautiful colors and looks all of you will make so don’t forget to snap some pretty pictures of your color lesson homework, fabric selection, or color palette process to share with the other Hold Tight Sew Along makers. If posting to Instagram or other social platforms be sure to use the hashtag #holdtightsewalong and tag me @sharonhollanddesigns so I see your beautiful work.

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A sew along is a lot more fun with sponsors and giveaways, right!? Our friends at Dritz Sewing, the Fat Quarter Shop, Hobbs Batting, and Omnigrid have generously provided the Hold Tight Sew Along with products I know you’ll love! Every Friday, beginning on March 22nd through April 12th, 2019 I’ll be posting weekly a giveaway on Instagram. By using the hashtag #HoldTightSewAlong on Instagram every time you post sew along photos to a public account (private account posts don’t show up in hashtag pools) your IG account is automatically entered into the weekly sew along drawings! Ideas for what to share include your sew along progress, the “I’m a maker” sew along badge found HERE, your fabric pull, blocks, and finished quilt. Be sure to follow me on Instagram @sharonhollanddesigns so you never miss a thing!

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Fat Quarter Shop - Woodlands Pure Elements Fat Quarter Bundle

Fat Quarter Shop - Woodlands Pure Elements Fat Quarter Bundle

Fat Quarter Shop - Woodlands Pure Elements Fat Quarter Bundle

Fat Quarter Shop - Woodlands Pure Elements Fat Quarter Bundle

This Friday, March 22, 2019 the giveaway prize will be the beautiful 15-piece Art Gallery Fabrics Woodland Pure Elements fat quarter bundle generously offered by the Fat Quarter Shop.

Don't forget the giveaways for this sew along are held on Instagram (not on the blog) and winning names are randomly drawn from the posts in the hashtag pool. By posting images of your Hold Tight color inspiration, fabric pull, blocks, or quilt. Use the official #holdtightsewalong hashtag every time you post your makes (to a public account) and you're automatically entered into the weekly IG drawings! See my Instagram Friday giveaway posts @sharonhollanddesigns for full details. 

Hold Tight Sew Along

Hold Tight Sew Along

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Since adding the Hold Tight baby quilt pattern to my Shop last week there’s been such an amazing response to this pattern and so many sales that I thought it would be a great pattern for a sew along.

Hold Tight.jpg

Hold Tight is a throw-size baby quilt made with 20 different Art Gallery Fabrics Pure Solids colors and curved patchwork pieces. Those two features make this quilt a tiny bit more challenging than typical straight-piece patchwork. But, don’t let this intermediate level pattern stop you from trying it—neither of these these aspects are as hard as you may think! Read more about this quilt from the original blog post—Hold Tight Quilt.

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For the very reason that this quilt pattern has skill challenges makes it the perfect quilt to build tutorials around! In fact, for this sew along I’m even going the extra mile and creating accompanying You Tube videos to go with the different steps for piecing the quilt.

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Every Wednesday from March 20th until April 10th I’ll post a tutorial here on the blog covering tips and tricks for taking your patchwork to the next level. There’s no special sign up for this sew along. The only thing you’ll need for sewing along (other that materials for the quilt) is to purchase the pattern from my Shop page.

Week #1

I’ll share with you how I work with colors. This basic color theory knowledge is something that transcends beyond working with fabrics in patchwork and can be helpful if you’re an artist/hobbiest, decorating your home, putting together your wardrobe, or anything that has to do with color. Balloons and the transparency effect of balloons overlapping is the graphic hallmark of this quilt design and the possibilities for color combinations are endless. The Hold Tight quilt pattern calls for 20 different solids which can feel a bit overwhelming so I’ll be giving you some tools for knowing where to start and how to select your colors. I’ll be using Art Gallery Fabrics Pure Solids material in my quilts and fabric pull examples.

The You Tube videos for this sew along will all be available on the first week for those of you that would like to work ahead (as this quilt will not take four weeks to complete). Just be sure to snap pictures of your progress as you sew so you can share your progress on Instagram. I’ll be using the official #HoldTightSewAlong hashtag on Instagram to grow a hashtag pool for sew along giveaways. Read more about the giveaways below.

Week #2

Templates have been included in the PDF pattern for the three different shapes used to create blocks as well as a Block Trimming templates. Transferring your templates to template plastic and cutting out the fabric shapes will be covered in week #2. I’ll have tricks for making your cutting easier.

Week #3

For those that have shied away from curved piecing because it looks too hard will find out just how easy curved piecing can be with week #3 pinning, stitching, and pressing tutorials. Create absolutely square blocks and perfect seam allowances.

Week #4

The finish line! Put all the blocks together, baste, quilt, and bind your Hold Tight quilt. Week #4 and beyond is the big reveal weeks. Show off your make and don’t forget to use the #HoldTightSewAlong hashtag and tag me @sharonhollanddesigns when posting to social media.

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A sew along is a lot more fun with sponsors and giveaways, right!? Our friends at Dritz Sewing, the Fat Quarter Shop, Hobbs Batting, and Omnigrid have generously provided the Hold Tight Sew Along with products I know you’ll love!

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GIVEAWAY

Every Friday, beginning on March 22nd, 2019 I’ll be posting the weekly giveaway on Instagram. By using the hashtag #HoldTightSewAlong on Instagram every time you post sew along photos to a public account (private account posts don’t show up in hashtag pools) your IG account is automatically entered into the weekly sew along drawings! Ideas for what to share include your sew along progress, the I’m a maker sew along badge, your fabric pull, blocks, and finished quilt.

Be sure to follow me on Instagram @sharonhollanddesigns so you never miss a thing!

HOLD TIGHT PATTERN GIVEAWAY Now Closed. Congratulations to: Rita Long, Laurie Reissler, and Teri!

Note: This giveaway is open to EVERYONE! If you're a "no reply" or anonymous commenter, please remember to include your email address in your comment--you can't win if I can't get a hold of you!

1. Simply leave a comment here under this post! (First comment entry).

2. Follow me @sharonhollanddesigns on Instagram (see link above). Just let me know that you do/did by making a separate comment here to record that entry. (Separate comment-second entry). 

3. Help spread the word!! I know that many of you already do, so I thought it would be nice to add that as another way to enter! Spread the word about being a Hold Tight Sew Along Maker on YOUR instagram, Facebook, Twitter, Pinterest by pinning any of my pretty images in this post (separate comment-third entry). 

That’s THREE possible entries! Enter now through Monday, March 18th! I’ll randomly pick THREE winners from the comments on this post around 4 pm Eastern time on Monday. I’ll post the names of the winners on this post once they've been notified and responded to my emails.

Don't forget to enter into this same giveaway on Instagram! Look for my PDF pattern giveaway post where you simply leave a comment on that post and tag a friend. I’ll be giving away a total of 10 PDF patterns through Instagram—that’s one for the commenter and one for the tagged friend—so five randomly drawn comments.

Use the official #HoldTightSewAlong hashtag every time you post your Hold Tight makes (to a public IG account) and you're automatically entered into the weekly IG hashtag pool drawings that start on March 22nd! See my Instagram giveaway posts @sharonhollanddesigns for more chances to win this week’s PDF pattern giveaways. 

Happy sewing!

Sharon






Happy New Year - 2019

Happy New Year - 2019

My last post was the end of November 2018 so I need to fill you in on what’s happened between then and now. December went by so fast I didn’t even get a chance to make an appearance on this space-my apologies.

Holly Spring by Sharon Holland

Holly Spring by Sharon Holland

My December revolved around friends and family and I just didn’t bother with keeping up my social spaces during that family time. I had a wonderful Thanksgiving through Christmas and I hope you did as well.

If you follow me on Instagram you saw that I had painted similar sprigs of holly art for sale and then painted larger pieces as gifts. I was very pleased with the response to my art and am very encouraged to continue painting and eventually selling prints and originals in the future. Thanks to everyone who purchased my art!

Holly by Sharon Holland

Holly by Sharon Holland

Right after Christmas and up until writing this post I’ve managed to find extra time to paint. I’ve been exploring acrylics and revisiting watercolors when painting these following pieces.

October Bouquet by Sharon Holland

October Bouquet by Sharon Holland

Daisies by Sharon Holland

Daisies by Sharon Holland

 
Floral Wreath - yellows - Sharon Holland

Floral Wreath - yellows - Sharon Holland

 
Floral Wreath - reds - Sharon Holland

Floral Wreath - reds - Sharon Holland

Exploring with different mediums and styles is a good way for me to reacquaint myself with painting. The more I create, the more my style as an artist will emerge. I feel I need to make a larger body of work before I decide which paintings to turn into prints and what sort of products to offer (note cards, posters, fabric, original art, etc).

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In the world of design there’s a lot of hurry up and waiting going on behind the scenes. It’s not always easy to have things to share because release dates are set way into the future. Very soon spring fabric collections will be revealed and this week I’m putting the finishing touches on a short intro video for my next Art Gallery Fabrics line. The photo above shows my office workspace littered with ideas for a fall collection that I’m currently working on and the photo below is a still shot from my promo video.

Sharon Holland - Designer

Sharon Holland - Designer

Case in point is my quilt featured in Quilts & More magazine. I made this quilt last spring and sent it off to my friends at All People quilt as soon as it was finished. Because a magazine need to work so far in advance, it was not going to show up in print until the Spring 2019 issue—that’s a long time to wait to be able to show you my quilt! Good thing I had plenty to keep me busy with until now because I really hate wating!

Sense of Direction by Sharon Holland. Used with permission from Quilts & More™ magazine. ©2019 Meredith Corporation. All rights reserved.

Sense of Direction by Sharon Holland. Used with permission from Quilts & More™ magazine. ©2019 Meredith Corporation. All rights reserved.

This fun quilt is made using fabrics from my Signature collection for Art Gallery Fabrics and AGF Pure Elements solids. Great for even a beginner, this full-size quilt is a quick to piece and with it’s simple, diagonal quilting it’s also quick to finish.

Sense of Direction by Sharon Holland. Used with permission from Quilts & More™ magazine. ©2019 Meredith Corporation. All rights reserved.

Sense of Direction by Sharon Holland. Used with permission from Quilts & More™ magazine. ©2019 Meredith Corporation. All rights reserved.

 
Sense of Direction by Sharon Holland

Sense of Direction by Sharon Holland

Look for the Spring Quilts & More magazine on newsstands beginning January 11th.

Quilts & More Spring 2019. Used with permission from Quilts & More™ magazine. ©2019 Meredith Corporation. All rights reserved.

Quilts & More Spring 2019. Used with permission from Quilts & More™ magazine. ©2019 Meredith Corporation. All rights reserved.

What a bright and beautiful way to start out the first post of the new year with all these flowers and colorful quilts and projects!

Looking ahead, I know many of you are wondering if Maureen Cracknell and I are planning a new sew along for this year…well, remember that hurry up and wait aspect of designing? After much deliberation we both decided we’ll be skipping this year. Preparing a sew along takes months of advance work which both Maureen and I don’t have at our disposal right now. Speaking for myself I have personal and artistic growth reasons why I need to step away from a sew along this year.

Over the last two years and three sew alongs we’ve prepared you for patchwork success and pushed you to push yourself as an artist. When we start our next sampler (hopefully in early 2020) you’ll be ready to take on bigger challenges right along side us.

You can expect to see new fabric lines from both Maureen and myself, blog tour appearances, and with various “irons in the fire” you won’t be without new inspiration, new sewing projects, and fabrics to add to your stash throughout the year. We hope you’ll continue to stop by our blogs and other social platforms to say “hi” and see what we’re up to.

Cheers to a new year and all it has to offer!


My Signature Sampler Week #17

My Signature Sampler Week #17

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Here we are, week #17 and reveal finale of the My Signature Sampler sew along! I feel like I have a documentation of this years spring and summer flowers all stitched into a beautiful sampler quilt.

It’s been a joy sewing with my Signature fabrics for Art Gallery Fabrics (AGF) and a treat for me to see so many of you also sewing with my Signature collection or with other fabric collections I’ve designed for AGF. I’ve seen so many amazing new fabric pairings that I’m seriously thinking the next sampler sew along I host will be to make a quilt in prints from across my collections. But, that wouldn’t be until early next year—which will be here before we know it.

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Assembly

For this week’s blog post it’s all about assembling the blocks and finishing your quilt. Luckily for me in writing this post, I’ve already covered the tips and tricks for quilt finishing in other sew along post so, if you need extra help with assembling your top, be watching for links to previous tutorials throughout the text in this post.

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I've been adding the setting triangles to my finished blocks as I constructed them but many of you may have been waiting to finish all your blocks before deciding on fabric choices and block arrangements, which I completely understand so this post is dedicated to assembly and finishing.

I used a combination of my Perennial print from Printemps Fusions and Untamed Beauty Daybreak from Signature as the background setting of my quilt and stuck to original layout found in the first week handouts.

Working with directional prints in half-square triangle units

Working with directional prints in half-square triangle units

The setting triangles are made by cutting a 9-1/2'' square on the diagonal to make two setting triangles. Be mindful of print direction, if applicable. See Community Sampler Week #13 for block setting instructions. 

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Here’s a look at my sampler top after stitching all the setting triangles and blocks together. This is the original option without the added Chevron borders added.

If you're interested in adding a Chevron border to your sampler quilt, take a look at the My Signature Sampler week #6 blog post and pick up the border supplement PDF. In the suppliment PDF I also talk about working with directional prints in the borders so please read instructions through thoroughly before beginning.

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For my finished sampler I decided to use the top and bottom Chevron border option. This make the quilt a rectangle rather than a square and gives the effect of fringe on the two short ends of the quilt. I love the coral Extempore Celebration floral print addition on the Chevron borders and it plays beautifully to pop the Flamingo Pure Elements solid used in the frames of some of the blocks.

I was height-challenged when clipping my quilt to this fence at the local arboretum but I got the job done and this quilt just begged to be photographed outdoors. I only wish there were more flowers in bloom this time of year in Ohio. Oh well, the quilt makes up for what nature could not provide!

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Rather than reinvent the wheel, I'm directing you to the blog post for Finishing that was originally posted during the Sewcial Bee Sampler sew along. You'll find all the tutorial information for spray basting, quilting, and binding your quilt. The sizes have changed but the concept for basting, quilting, and binding your quilt are the same. As stated in that post, there are many ways to finish a quilt and I am blogging about how I finish my quilts. If you have a preferred method, please do it the way you're comfortable with. If you intend to send your top off to be professionally quilted, discuss with your long-arm quilter how they'd like you to prepare your quilt top and backing for being quilted. 

QUILTING

I'm not a professional quilter by any means. I get by and call my quilting style "organic" because it's not perfect and lines are not straight. I love the human touch that non-perfect quilting adds to my quilts.

I used my favorite Hobb’s Tuscany Silk batting inside my quilt and love how light and drapey a quilt this size can be with silk batting inside. Especially for handling and maneuvering a large quilt when quilting on a mid-arm machine.

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For a floral quilt like this, I wanted to go floral all the way and chose to do an all-over, organic stylized flower motif. This gives a dense quilting effect of timeless look and feel. I’ve not washed my quilt yet so it’s not even gotten any of that crinkly goodness laundering would add.

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The backing on my quilt is from my Signature fabric collection for Art Gallery Fabrics and is called Venture Forward seen here with the last few blooms of summer. I like the addition of this geometric print amongst all the florals and it reminds me of a trellis. For the binding I went with the Lateral Bud Profusion print from this same collection and it frames up the quilt nicely with that incredible teal color.

GIVEAWAY

This week’s our final Friday Giveaway for the My Signature Sampler sew along. This sew along was sponsored by the most amazing companies that generously donated incredible prizes to share with you. I want to give a big thank you to all my sponsors for their part in making this sew along so much fun!

OUR SPONSORS

THIS WEEK'S GIVEAWAY SPONSOR IS: Quilter’s Candy Box

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The Quilter’s Candy Box began in 2016 by Elizabeth Chappell with a wish to surprise and delight quilters with an exciting quilting experience of novelty and boutique notions, patterns, the latest fabrics, and of course, yummy treats all contained in a monthly subscription box. With a motto of, “Satisfy your quilters craving” Quilter’s Candy Box was born.

Quilter’s Candy Box is a curated monthly subscription of quilting treats and a dessert, delivered right to your door. Every box has 5 to 8 items. In each box you’ll be surprised with beautiful fabric, an exciting pattern, and a delicious treat plus quality and unique quilting notions you’re sure to love!

Blog  *  Facebook *  Instagram  * Pinterest

Elizabeth Chappell of Quilter’s Candy Box

Elizabeth Chappell of Quilter’s Candy Box

When one project ends another one begins! So, for the My Signature Sampler finale giveaway prize, one lucky winner here on the blog will receive the October Quilter’s Candy Box.

Note: This giveaway is only open to U.S. residents, sorry international friends. See giveaway rules for details.

Quilter's Candy Box Giveaway.jpg

Who doesn’t love a surprise?

The Quilter’s Candy Box contents are kept a secret until subscription boxes land in hundreds of waiting mail boxes (around the middle of each month). Even now I cannot show you what the October box will contain but I can give you a little hint! The October box will include fabrics from Amy Sinibaldi’s beautiful new Sonata collection for Art Gallery Fabrics and sure to be amazing!

Giveaway now closed. Congratulations to Barbara Matzat!

Note: This giveaway is open to US address only for this prize. If you're a "no reply" or anonymous commenter, please remember to include your email address in your comment--you can't win if I can't get a hold of you!

1. Simply leave a comment here under this post! (First comment entry).

2. Follow Quilter’s Candy Box on any of their social media platforms (see links above). Just let me know that you did by making a separate comment here to record that entry. (Separate comment-second entry). 

3. My followers get a third entry! If you follow me via subscribing to my posts, on Pinterest, and/or Instagram, just let me know by making a separate comment here to record that entry. (Separate comment-third entry).

4. Help spread the word!! I know that many of you already do, so I thought it would be nice to add that as another way to enter! Spread the word about the My Signature Sampler sew along on YOUR instagram, Facebook, Twitter, Pinterest by pinning any of my pretty images in this post, etc... (separate comment-fourth entry). 

That’s FOUR possible entries—maximum! Enter now through Monday, October 15th! The winner will be picked at random around 4pm Eastern. I will post the name of the winner on this post once they've been notified and responded to my email.

Don't forget to enter into this same giveaway on Instagram by posting images of your sampler inspiration, sampler fabric pull, or blocks. Use the official #mysignaturesampler hashtag every time you post your My Signature Sampler makes (to a public account) and you're automatically entered into the weekly IG drawings as well! See my Instagram giveaway posts @sharonhollanddesigns for full details. 

Happy sewing!

Sharon