Community Sampler Week #16

Community Sampler Week #16

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It's finale week for the Community Sampler. I know many of you will not have your tops finished or quilted this week but both Maureen and I will be watching for you to post pictures of the finished quilts in the weeks and months ahead. Many are still posting their finished Sewcial Bee Samplers from last year's sew along so it's never too late to complete a quilt.

Be sure to use the #CommunitySampler hashtag when posting your Community Sampler blocks and quilts to Instagram and tag both my @sharonhollanddesigns and @maureencracknell so we don't miss any of your beautiful work!

It's been a real pleasure to co-host the Community Sampler. We've seen many returning makers from our last years Sewcial Bee Sampler and loads of new friends joining in this year's sew along. I hope you've learned some new patchwork skills or are continuing to improve upon what you already know. All the blocks and quilts I've seen are so well made and have beautiful fabric selection. Thank you so much for sewing with us!

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Surprisingly we still have a few new Makers joining our sew along at this late point. If you are just joining us, pick up the Introduction PDF on the Sew Along page and you'll get a material list along with coloring pages so you can get started planning your quilt. Then, work your way through the first Community Sampler post to the present and take advantage of the in-blog tutorials for the different patchwork techniques used throughout the Community Sampler. Both Maureen and I will leave all the Community Sampler downloads up on our blogs for you to download long after this event is done. Also, check out the #Community Sampler hashtag on Instagram, you'll see an amazing array of beautiful blocks as inspiration overload! Soon, you'll be seeing finished Community Sampler quilts too!

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There's nothing new to download this week and no tutorials--this week's post is purely show and tell for me to blog about my finished sampler and the design inspiration behind how a chose to machine quilt my sampler. 

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Last Wednesday's post showed how I had my top pieced and my backing fabric of Untamed Beauty Daybreak from my new Signature collection for Art Gallery Fabrics all selected and cut. The following day (Thursday) my husband and I took off for a trip to New York to visit our youngest son. 

We had a wonderful time visiting the city and packed an unbelievable amount of sight seeing into four days. We averaged 8 miles a day on foot and I've no idea how many more miles we traveled each day by subway, bus, Uber, or boat. We were Uptown, Downtown, and all around that town!

The Cloisters in New York City

The Cloisters in New York City

On Sunday we visited the Cloisters (a branch of the Metropolitan Museum of Art), which is a medieval castle housing exclusively art from the Middle Ages. Situated overlooking the Hudson River in northern Manhattan, it's a specular place to visit. 

The Judy Black Garden in the Cuxa Cloister

The Judy Black Garden in the Cuxa Cloister

I loved the building and the amazing artifacts from the Middle Ages. We were lucky to visit the Metropolitan Museum of Art (The Met) and the Cloisters while the Heavenly Bodies: Fashion and the Catholic Imagination exhibit was in progress and I found the garment design so imaginative and inspiring.

The Bonnefont Cloister Herb Garden 

The Bonnefont Cloister Herb Garden 

But my most favorite part of the Cloisters were the serene courtyard gardens.

Garden at the Cloisters

Garden at the Cloisters

I didn't realize it at the time but the Cloisters courtyard gardens were to be the inspiration for the quilting on my Community Sampler quilt... 

We returned home just before lunchtime on Monday and we had already put in a long day because we'd needed to get up at 3 am to get to the airport in time for travel and check-in.

First thing I had to do once home was jump in and get my sampler quilted so I could work on binding that evening and photograph it Tuesday in order to put together this post. While I was spray basting I was thinking of how to quilt it. I sometimes feel like a Quilt Whisperer because I always let the quilt tell me how it should be quilted. 

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With my trip still fresh in my mind, I thought about those peaceful medival courtyards and thought how the sampler quilt reminded me of a walled garden and the blocks represent how every column had different relief carvings in their capitals.

Thinking of the quilt as an aerial view of the castle, I decided to treat the border and center of the quilt with two different quilting designs.

On the border I did a simple, wavy parallel lines that represent the woven twig fencing seen in the herb gardens.

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The center of my quilt is a free-form, stylized organic design to represent the flowers seen in the Cuxa Cloister gardens. I love how my Untamed Beauty print on the back looks right at home in this idea of a garden.

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The batting used in my quilt is my favorite, Tuscany Silk Batting from Hobbs Batting. The drape and feel is incredible and it's as easy to handle and quilt as cotton but with much improved properties over cotton. 

I chose to bind my quilt in the same Art Gallery Fabrics Pure Elements solid Sweet Macademia as I used for the background of my quilt. This keeps the quilt looking clean on the edge and that soft peach/pink color is the same as used in my Untamed Beauty print. By the binding coordinating with the print on the back, it now becomes a whole cloth look of printed fabric if I wanted to flip the quilt around for multiple looks. 

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Please visit Maureen's blog to see the beautiful Community Sampler quilt she's making from her gorgeous Art Gallery Fabrics Love Story collection.

COMMUNITY SAMPLER SPONSORS

Don't forget that this Friday's the final Giveaway Friday on the Community Sampler sew along. Because the finale is so big, Maureen and I handle this last giveaway differently than the previous weeks. Maureen will be hosting the blog giveaway with a special grouping of prizes and I will be hosting the Instagram giveaway with a grouping of special prizes. Our posts on Friday will include all the details for prizes and how to enter.

Happy sewing!

 

 

Community Sampler Week #15

Community Sampler Week #15

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You've done it! You're top is pieced and now it's ready to be quilted. My co-host and sister Art Gallery Fabrics designer Maureen Cracknell and I are so happy to have you sewing with us and can't wait to see your finished quilts.

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Surprisingly we still have a few new Makers joining our sew along at this late point. If you are just joining us, pick up the Introduction PDF on the Sew Along page and you'll get a material list along with coloring pages so you can get started planning your quilt. Then, work your way through the first Community Sampler post to the present and take advantage of the in-blog tutorials for the different patchwork techniques used throughout the Community Sampler. Both Maureen and I will leave all the Community Sampler downloads up on our blogs for you to download long after this event is done. Also, check out the #Community Sampler hashtag on Instagram, you'll see an amazing array of beautiful blocks as inspiration overload! Soon, you'll be seeing finished Community Sampler quilts too!

Finishing

Time to quilt and finish your Community Sampler! Download the free PDF on the Sew Along page.

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The Finishing PDF download will give you cutting and yardage requirements for a Community Sampler quilt with and without borders. If you've modified the pattern by enlarging the size of your quilt you will need to recalculate the number of binding strips needed, backing, and batting yardages.

  • Add 6''- 8'' to the finished dimensions of a quilt (3''- 4'' extra inches on all sides) for backing and batting needs. 
  • To figure binding: Add all four sides of the quilt plus an additional 12'' for seams. Divide that number by 42'' (the width of typical fabric) and the result is the number of strips needed. Round up if necessary.
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For my Community Sampler quilt I've pieced my top in Art Gallery Fabrics Pure Element solids. But, for the back it's time to add a print! My newest Art Gallery Fabrics collection, Signature is now available at your local quilt shops and online. I chose the Untamed Beauty Daybreak print from my collection because the background has the same soft peach/pink as the Sweet Macademia Pure Elements solids background on the front of the quilt and picks up the coral, honey yellow, and kelly green solid colors throughout the blocks.

To be honest I've not figured out my binding yet but I do know it will be a solid and may just depend on material I have left from the top--maybe a scrappy one!

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Rather than reinvent the wheel, I'm directing you to the blog post for Finishing that was originally posted during last year's Sewcial Bee Sampler sew along. There's where you'll find all the tutorial information for spray basting, quilting, and binding your Community Sampler. The sizes have changed but the concept for basting, quilting, and binding your quilt are the same. As stated in that post, there are many ways to finish a quilt and I am blogging about how I finish my quilts. If you have a preferred method, please do it the way you're comfortable with. If you intend to send your top off to be professionally quilted, discuss with your long-arm quilter how they'd like you to prepare your quilt top and backing for being quilted. 

Quilting

I'm not a professional quilter by any means. I get by and call my quilting style "organic" because it's not perfect and lines are not straight. Since I've not quilted my Community Sampler at the time of writing this post I cannot say with certainty how I plan to quilt it yet. I have an idea to do a loopy clamshell sort of quilting (see first illustration) but until I sit down to my mid arm machine I really am not sure. 

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Use your coloring book page from the first PDF download with a tracing paper overlay to test out various quilting options. 

I do have a tutorial on my Tutorials page for how to quilt a Baptist Fan pattern that is one of my favorite patterns. You can find tons of quilting pattern inspiration online or through the professional quilters resources I listed earlier. The type of quilting design that appeals to you is the best one to choose. Keep in mind the complexity and your skill level when choosing, so you don't get frustrated.

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Another great option that always looks good is a grid pattern. You can run the grid horizontally and vertically or on the diagonal. 

Keep in mind that different batting types have different properties and quilt spacing requirements. Read the packaging recommendations and plan your quilting accordingly. 

I know this is not possibly enough to answer all your questions on how to finish a quilt. Use the internet, books, and other quilters to help fill in the gaps I've not covered here. I've only written about the steps I use to finish my quilts and there are many other ways to achieve the same end results--find what works best for your skill level and needs.

Next week will be the full reveal of mine and Maureen's quilts and of course our grand finale giveaway prize! 

COMMUNITY SAMPLER SPONSORS

My co-host Maureen Cracknell and I are continually amazed by the joy and excitement each of you bring to our virtual community. Thank you for making this sew along so special. Please visit Maureen's blog and see the progress she's making on her sampler quilt, using her beautiful AGF fabrics Love Story collection. Be sure to use the #CommunitySampler hashtag when posting your blocks to Instagram and tag both my @sharonhollanddesigns and @maureencracknell so we don't miss any of your beautiful work! But, please be patient with both Maureen and I over the next few weeks if we don't comment back. Both Maureen and I are preparing sewing samples for our new spring collections and there's just not enough hours in the day (or energy) to get it all done!

Don't forget that this Friday's a Giveaway Friday on the Community Sampler sew along. Maureen and I will take turns hosting a giveaway each week where one of our generous sponsors will be featured and offering amazing prizes both here on our blogs and also on Instagram. Maureen will be hosting the giveaway this Friday and you'll be instructed how to enter at that time.

Happy sewing!

 

 

 

 

 

Sewcial Bee Sampler Quilt Finishing

Finishing Your Sewcial Bee Sampler Quilt

Wow, I cannot believe how quickly 26 weeks can go by! All the Sewcial Bee Sampler (SBS) blocks have been released and it's time to put your quilt together. There's only two more weeks to take part in our SBS Survey. Refer back to my last post for all the info and link to the simple eight question survey about your SBS experience. By taking part in the questionnaire my co-host Maureen Cracknell and I can get a better idea as to what we may collaborate on next as well as give us a headcount of actual SBS Makers! Please only take the survey once and much thanks to those who've already responded. 

Surprisingly we still have a few new Makers joining our sew along at this late point. If you're new, be sure to take advantage of the in-blog tutorials for the different patchwork techniques used throughout the Sewcial Bee Sampler. Pick up tips and block variations beginning with the first blog post The Start of Something Sewcial. Both Maureen and I will leave all the SBS downloads up on our blogs for you to download long after this event is done. Also, check out the #SewcialBeeSampler hashtag on Instagram, you'll see an amazing array of beautiful blocks as inspiration overload! Soon, you'll be seeing finished SBS quilts too!

Several of you have decided to skip the sashing between the blocks and make a smaller quilt and that's the beauty of this project that it can be customized to fit your needs. For those of you waiting to add the sashing you can download the PDF instructions for finishing your SBS sampler quilt from my Sew Along page

Today's blog post feels a bit epic with all the tutorials I've prepared for finishing your quilt. The following information on spray basting, quilting, and binding is the way I finish all my quilts. That doesn't mean this is the only way to do things--it's simply how I finish my own quilts. I'm by no means an expert quilter and will only touch upon some aspects of machine quilting. You will definitely want to take advantage of the wealth of knowledge professional quilters have posted on their blogs, YouTube videos, and in books. My favorite quilters to follow and resource are: Christina Cameli, Angela Walters, and Christa Watson. They're pros!

You will also want to check out Maureen's blog as she will be giving you additional information with step out photos of adding the sashing and how she has pieced and is quilting her quilt. 

Sashing

Feel free to arrange your SBS blocks anyway you'd like. My first (of the two) sampler I kept all the blocks in order of release but my second quilt I needed to move some of the blocks around for better fabric and color distribution. Be sure all 25 blocks (those with frames and without frames) are squared to 12-1/2" before you start adding the sashing. 

One thing you will notice about the framed blocks is they have an orientation. The opposing sides of the frames are the same size. It doesn't matter if you orient the larger frames on the top and bottom like we've shown in the instructions and in the photo below, or the smaller of the frame sides at the top and bottom, I just suggest orienting the blocks the same way throughout the quilt for a more professional finish. Also be mindful if the prints on your block have an obvious direction and keep them all running the same way as you piece.

Since our sampler quilt is square, how you add the sashing can also your preference and doesn't change the cutting requirements. The instructions are given for making vertical rows adding 2-1/2" x 12-/12" sashing strips between the blocks then joining the rows with long vertical sashing strips. This can easily be flipped and worked the same way as horizontal rows and sashing. 

In example below I used some orphan blocks and Art Gallery Fabrics Pure Elements peach solid sashing to show vertical and horizontal orientation. For the actual Bountiful quilt I chose to use the Pure Elements Snow white solid to match my frames (accentuating the blocks to float on the background) and stitched vertical rows as given in the instructions. For my second SBS quilt the frames and sashing are made from different prints so I felt the prints looked their best with horizontal sashing. 

Follow the instructions on the Finishing PDF for cutting number and size of sashing. To make the long sashing strips needed for between the rows, stitch the remaining (11) 2-1/2" x 42" strips short ends together to make one long strip.

Press your seams toward the sashing to reduce bulk and press each block/sashing row well. Measure each block/sashing row without stretching the material. Average those numbers and cut 6 sashing strips to this measurement from the long strip. Sew the long sashing strips alternately together with the block/sashing rows to make the top. Press top well.

Cut and piece the backing to measure 3''-4'' larger on all sides than your quilt top (as sizes will vary depending upon if you added sashing or not) using a 1/2" seam allowance. I prefer to use a 1/2" seam allowance on the backing seam to add strength to the seam. Press the seam open to reduce bulk. Press backing well.

Cut batting to the same size (or slightly smaller) than the backing. For my quilts I'm using Hobbs batting products courtesy of our generous sponsor. Part of the grand finale package will include the Tuscany Wool and Tuscany Silk queen size battings just like the ones Maureen and I are using in our quilts.

Spray Basting

Again, this is a personal preference on how you baste together the layers of your quilt. If you intend to send your top off to be quilted by a longarm quilter you can skip to the Binding section. I like spray basting for two reasons: No pins to put in and no pins to remove when machine quilting. Second, I feel I get a much smoother finished quilt because of the terrific surface contact between the layers. It's totally your choice how to sandwich the layers but I will show you how I do it. There are many YouTube tutorials by industry professionals on this subject if you need more information.

Suggested supplies: Knee pads, duct tape, and 505 basting spray. I love the 505 brand of basting spray. I buy it in bulk and go straight for the large cans! I do have an affiliation link for this product on my right side bar with Amazon. If you are at all interested in purchasing this product I'd greatly appreciate you using my affiliate link. It's not like I'll get rich but every penny does help defer some of my expenses of producing this blog. 

I use my garage floor as my large, flat surface for spray basting. My garage floor is free of any oil or grease stains and a simple sweep before I begin is the only prep I need. I don't protect the floor from overspray but if that's a concern, you may want to add cardboard, kraft paper, or some other ink free paper product to the supply list and tape down it around the spray area before you begin.

Lay the backing wrong side up and use the duct tape to hold the backing to the flat surface. Don't stretch the backing tight, but keep it relaxed and ripple free as possible. On a quilt this size, I use about three pieces of tape per side. Once the backing is secure, open the cut-to-size batting and center it onto backing.

Once the batting is opened, smoothed, and centered, pull half of the batting back to reveal the backing. Following the manufacturer's instructions on the spray baste and spray about a 12" wide section of spray baste onto the wrong side of the backing parallel to the folded back batting. Lift batting and smooth out onto spray basted section working from the center outward. 

Continue spray basting and smoothing sections of batting in the same manner till the half of the backing is covered. Pull back the other half of the batting and repeat until the batting and backing are adhered and smooth. 

Adhere the top in the same manner by first centering the top on the backing/batting sandwich. Pull half of the top back and apply the spray bast in sections to the batting. Smooth the top out from the center as you go until the quilt sandwich is done. Remove the tape and bring your quilt inside. I like to let it rest and dry a bit before I start quilting. I have no idea if that is a thing, to let it rest, but it's what I do.

Before I start any quilting I turn the quilt sandwich over so the backing is right side up and give it a check over for smoothness. The nice thing about spray baste is it's repositionable and if you need to lift a layer to flatten it out you can without losing any integrity. Work from the center outward if you need to fix and puckering. 

Machine Quilting

Choosing a thread color and quilting design can feel overwhelming sometimes. Both of these aspects of quilting are purely a personal choice. My suggestion is that if you are new to machine quilting and plan to take on the job yourself, choose a thread color that blends with the quilt so it will be less noticeable. I use a 50 or 40 weight thread. 50 wt will be thinner than a 40 wt and thinner thread equals less visible.

The best way to judge how a thread color will look on your quilt is to pull out a strand of thread and lay it across a section of the quilt. You can see how what looked like bold colors on the cone almost negate out to about the same look when seen just as strands on the second photo. I went with the cream thread (bottom right) for the top thread and white thread for the bobbin. You don't have to use the same color for the top and bobbin thread if you don't want to. 

I have a Husqvarna Platinum 16 midarm machine. This type of quilting machine has a 16" arm to accommodate the bulk of a quilt better than a domestic machine can and is also called a sit down machine. The machine is stationary and only the needle moves up and down. There's no feed dogs. It's a free-motion machine and I need to move the quilt under it to quilt. I keep the areas of quilt not being quilted rolled up and on the table so the quilt top doesn't drag and pull as I quilt.

As I said earlier in this post, I'm not a professional quilter. I get by. I call my quilting organic because it's not perfect and lines are not straight. You will see the full quilt reveal next week and I will talk more about my quilting choices for the two quilts. For my Bountiful quilt I went with a very simple loop pattern that when overlapped creates a circle in the overlap. My second quilt I intend to do a denser floral design but I haven't gotten that one finished yet. I do have a tutorial on my Tutorials page for how to quilt a Baptist Fan pattern that is one of my favorite patterns. You can find tons of quilting pattern inspiration online or through the professional quilters resources I listed earlier. The type of quilting design that appeals to you is the best one to choose. Keep in mind the complexity and your skill level when choosing, so you don't get frustrated.

Binding

There are many ways to make binding. For the Sewcial Bee Sampler I chose double-fold regular binding. If you'd like to make bias binding, refer to my How to Bind a Quilt tutorial on my Tutorial page

Cut (8) 2-1/4" x 42" binding strips according to the PDF instructions. Place two strips right sides together at right angles. Sew with a diagonal seam (I've shown a drawn diagonal line on the first photo). Continue adding strips in the same manner to make one long binding strip. Trim seams to 1/4".

Press seams open to reduce bulk. Fold the strip lengthwise in half with wrong sides together. Press.

Roll the quilt parallel to a side of the quilt to be stitched for ease of handling while attaching the binding. Starting at the center of the exposed edge of the quilt top, place the folded binding on the front of the quilt with raw edges aligned. Leaving 12" of the binding strip free, begin stitching with a 1/4" seam allowance. Sew to the corner and backstitch 1/4" from the edge. Remove the quilt from the machine and refold so the new edge to be sewn is exposed.

Fold the strip up at a 45° angle and then back down over itself, lining up the raw edges to make a mitered corner. 

Resume stitching, beginning at the top edge of the new side and continuing around the quilt to the next corner and backstitch 1/4" from the edge. Remove the quilt from the machine, re-roll to expose the new edge and continue around the quilt to within 12" of the starting point. Tip: I like to miter the final corner and stitch a little way into the beginning side, ending with a backstitch, before removing the quilt for the final steps. 

Lay the quilt top on a flat surface. Bring the loose ends of the binding together so the binding and quilt lie flat. Fold the binding ends back onto themselves so the folded edges touch but do not overlap. Finder press to crease. Open the binding. Note: I've marked the creases with an air solvable pen on the wrong side of the left end and on the right side of the right end so you can see the creases better. 

Place the strips at right angles, rights sides together, left end over right end, using the creases to align the strips as shown. Pin the ends together on the diagonal away from the center diagonal seamline. Draw a diagonal line from the corner intersections. Sew on the line. 

Before trimming the seam allowance, refold the binding and check that it lies flat on the quilt top. Adjust the stitching if necessary. Trim the seam allowance to 1/4" when satisfied. 

Pin the binding down and sew to the remaining edge of the quilt top, ending with a backstitch. Trim the backing and batting even with the quilt top. 

Turn the binding to the back of the quilt and blind stitch by hand or machine stitch to finish. I always hand stitch my binding and like to use office supply binding clips to hold it in place as I sew. My woven cotton labels were made by Custom Couture Label Company. Not an affiliate but I love their products anyway. 

Okay, wow, that felt like a lot of information but I know it's not possibly enough to answer all your questions. Use the internet, books, and other quilters to help fill in the gaps I've not covered here. I have only gone over the steps I have used to finish my quilts and there are many other ways to achieve the same end results, find what works best for your skill level and needs. Next week will be the full reveal of my quilts and of course our grand finale giveaway prize. 

This Friday we still have another Giveaway Friday! Maureen will be hosting the giveaway from her blog and our sponsor is the the fabulous Circa 15.

 

 

Tea Leaf Quilt Pattern

To celebrate my birthday month, I'd like to give you a gift with a new free quilt pattern! If you remember, back in August, I wrote a post about a quilt I made just because I wanted it. That may sound strange but actually, most of the sewing I do is for other reasons rather than for my personal enjoyment. Not that I don't love everything I make, but my personal wants are not usually factored in when I sew. My Tea Leaf quilt was just for me! My August post has a little tutorial about how to figure cutting sizes for half-square triangles (HSTs) of any size. 

Today, I share the free PDF download pattern for the Tea Leaf quilt along with a little tutorial about how to draw and stitch a fan or Baptist Fan quilting design on the finished top.

Tea Leaf by Sharon Holland

Tea Leaf by Sharon Holland

I've always admired this traditional quilt block called Tea Leaf. I love the movement of the block and have a thing for triangles in quilts. I also have a thing for leaf designs, so when it came time to make a quilt just for me--this was the one!

I used prints from 3 of my 4 fabric lines for a scrappy look and included Art Gallery Fabrics White Linen PE-408 solid. Gossamer, Coastline, and Tapestry prints in soft fall tones are the perfect look for my living room where this cozy throw resides. I used wool batting for drape, warmth, and definition of the quilting stitches. 

I love how some of the prints almost fade away, giving even more interest and energy to this quilt. This is a 60" square quilt--just a small throw-size quilt. If you want the quilt to be larger, just make more blocks and add on. Remember, you will also need to increase yardage requirements for blocks, backing, batting, and binding if going larger. 

The Fan or Baptist Fan quilting design in one of my favorite quilting designs. I feel it goes well with just about any quilt top. I love how it is an independent design placed over what's already happening in the quilt, adding yet another layer to the overall effect.  

Probably the only hiccup with a fan design is that it needs to be drawn out on the quilt top and does slow down the finishing process. However, once it's marked out, the quilting can be stitched in continuous rows and goes relatively quickly so I think it evens out in the end. 

How to Draw and Quilt a Fan Quilting Pattern

1. Use a non-permanent fabric marking tool (I like the ceramic lead pencils that have a screw on tip). Test marks on scrap material to make sure they can be removed with water or washing before proceeding. Read manufacturer's instructions for marking tool, as some can become permanent after exposed to heat such as an iron.

Determine how far apart you want the radiating fan arches. I used 2" spacing for my Tea Leaf quilt but have also used a 1-1/2" spacing on other quilts which I also like. Your batting choice may also influence how far apart your arches should be. 

Cut a 13" length of embroidery floss (light colored works best). Lay the floss out against a ruler and mark 6 evenly spaced segments starting about 1/2" from the end. Cut a 1/2" to 1" tail after the last mark.

Slightly unscrew the tip of the marking tool and wind the floss around the marking tool tip just so the last mark is secured in the tip once tightened. If using a marking tool without a screw tip, use tape to hold the floss in place at the mark. Note: You may need to re-secure the floss as you work, just pay attention if your fan designs start to get a little out of shape.

You now have an odd number of marks showing on your floss. The reason to have an odd number of arches to the Fan quilt design means you will now be able to stitch with a continuous quilting line. See Step 4.

2. With the floss attached to the marking tool. Hold the first mark on the floss at a corner starting point on the quilt top. While holding the floss with one hand, mark an arch with the marking tool. 

Move the second mark on the floss to the corner starting point and make a smaller arch in the same manner as the first. Continue adding arches for a total of 5 concentric rings.

3. To add additional fan, repeat Step 2, starting and the base of the large ring of the previous fan. Continue adding fans till the end of the row. Start the next row directly above where you started the first row.

4. To quilt, begin at the small arch of the first row. Follow the black dashed line arrows. The red dashed line arrows indicate bridge stitching and where you will need to backtrack over earlier stitching to keep a continuous line flow to the quilting stitches. Each arch will be quilted the same direction till you reach the end of the row. Remove the quilt, and start at the beginning of the second row, quilting in the same direction as before. 

5. To remove the marking stitches after quilting and binding, I like to gently wash my new quilt in the wash machine. I use Woolite on wool setting and very low heat dry. Remove when still a little bit damp and hang dry or press top if desired.