Charming Nine

Charming Nine

Charming Nine quilt designed by Maureen Cracknell and stitched by Sharon Holland

Charming Nine quilt designed by Maureen Cracknell and stitched by Sharon Holland

Scrap quilts and Nine Patch blocks hold a special place in my heart. Collecting fabrics and making quilts from a stash is the core reason for me making quilts in the first place and what started my love affair with prints, calicos, and becoming a surface pattern designer.

The Nine Patch quilt block is especially meaningful to me because it was the second quilt I’d ever made and the first quilt I hand quilted. The first ‘quilt’ was actually a Nine Patch variation with sashing and tied, so technically it doesn’t count as a quilt because of the way it was finished.

To see my first quilt of a red and white Single Irish Chain quilt on my @sharonhollanddesigns Instagram post swipe through to the second slide to see a fun stop motion video.

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Last week Maureen Cracknell posted images on her Instagram account of a Nine Patch quilt she was making that used 34 different fabrics from combining her 16 piece Art Gallery Fabrics Homebody collection with my 16 piece Kismet collection and 2 prints from Bonnie Christine’s Lambkin collection.

AGF Nine Patch bundle and photo courtesy of Lady Belle Fabric

AGF Nine Patch bundle and photo courtesy of Lady Belle Fabric

I instantly fell in love with Maureen’s quilt and had to make one, too! Because I had written the free pattern for my Charming One quilt last fall, I thought it would be fun to continue the beginner-friendly series of easy quilts and dubbed this quilt pattern Charming Nine because of it’s inherent scrappy nature. Find both the patterns on my Free Projects page.

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This fabric pull is a partial look at the fabrics that went into my Nine Patch version. I had just a few scraps of my upcoming Lilliput collection left and because they were light prints I decided to keep the lights and darks of the Nine Patches in the same place on each block, opposed to Maureen’s quilt that she mixed up the light and dark positions in the blocks.

By my using the light prints in the 4-patch positions on the Nine patch I could conserve my little bit of fabric and use the 5-patch darker fabrics in solids and blenders that I had more materials of. I ended up supplementing this pull with Homebody, Kismet, Spirited, Pure Solids, Decostitch, and AGF denim to get enough for my scrap quilt. I also kept the background squares of my quilt light to create a Single Irish Chain affect with the diagonal dark squares as a nod to my first quilt make.

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I’m calling my quilt a Controlled Scrappy quilt because even though I used 16 different fabrics there’s an order to the light and dark placement to create an obvious pattern to the quilt design.

You will want visit Maureen’s blog to read about her quilt and see her beautiful photos. I like to think of our two versions as sister quilts, Town and Country quilts, or Controlled Scrappy and Super Scrappy quilts but however you name them they’re uniquely beautiful and so much fun to make!

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Like I mentioned earlier, this scrap quilt pattern is fat quarter friendly and written using Strip Sets rather than cutting a bunch of squares. You can use as many or few of prints as you like and in whatever way to reach the total yardage required (see PDF pattern). I used a mix of scraps, fat quarters and width of fabric cuts to get the number of blocks needed. Jelly Roll strips will also be great to use on this project.

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I could’ve evenly distributed the Nine Patch blocks across my top like Maureen had done but to accentuate the difference between our versions and keep more control over the look of my quilt I placed the Nine Patch blocks in diagonal lines by color or close enough color if I ran out of fabric for an exact match.

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With the low volume spring-inspired palette and playful nature-based prints I was smitten by the cottage-style of my quilt and wanted to play off the vintage feeling to it’s fullest. So, to give some added texture and comfort to the quilt I used two layers of Hobbs Tuscany Silk batting! Doubling up the batting makes the quilt heavier and stiffer but has an incredible, vintage heft and feel! The machine quilt has lovely definition and the binding edge is thick and wonderful.

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This quilt needed to be made and finished quickly because there was also a pattern to be written and photographs to be taken before posting a week later. I started cutting pieces on a Thursday and by following Tuesday morning put the last hand stitches in to the binding. I didn’t have time to send this quilt out to be professionally long arm quilted so I did the free motion quilting myself. Yes, it’s irregular and very organic (a pleasant word for wonky) but I’m very happy with the results and it fits the true utility scrap quilt tradition.

At first I was tempted to do diagonal straight line quilting but thought that would be pretty boring and maybe I could do something just a little better than that. I ended up with this not-so-perfect Orange Peel design that I will share with you just how easy it is to do—without even marking your quilt or using templates or rulers!

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Orange Peel Quilting

  1. Working on the diagonal, and eye-balling down the center of the blocks, start needle at the corner of a block and stitch an arching half circle or shallow curve that returns to the center of the block. Repeat that same arching curve, ending at the opposite corner of the block. Continue repeating the two arching curves on each block until you reach the end of the diagonal block row.

  2. Turn the quilt around and repeat Step 1, arching the curves to reflect the curves made on the first pass down the quilt.

  3. Repeat Steps 1 and 2 creating parallel diagonal arching stitches down and back up each Nine Patch and Square diagonal rows creating loops as show in illustration 3.

  4. Repeat Steps 1 through 3 in the diagonally opposite direction to create Orange Peel quilting. Note that the quilting on my quilt has shallow loops compared to the nice computer generated example. If you’d like your quilting design to be more regular and closer to perfect, you may want to mark the top first or use a curved ruler when stitching.

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For the backing of my quilt I used Ikat Diamond Posh from my Art Gallery Fabrics Kismet collection. My labels are made by the Dutch Label Shop and I hand stitched the binding with a running stitch for a little extra special touch.

I hope you make yourself a Charming Nine quilt and get your quilt friend involved too. You could have a Nine Patch block exchange or a virtual Sew In—a good excuse to play with fabrics and sew!

Fabric carrots by Sharon Holland

Fabric carrots by Sharon Holland

While we’re talking about scraps, I wanted to share a fast and fun project I had posted on my Instagram account—Fabric Carrots. This was inspired by burlap carrots I saw at Target and thought, “Heck, I could make those and there’s some prints in my Lilliput collection that would make the cutest carrots!”

The project is so easy I felt it didn’t need any more than a silent stop motion video to explain how to make them. You can use scraps, make them any size or length you’d like, and there’s only two seams to sew! I took my carrots and made a door decoration from hanging them with raffia. Use the link and slide through the photo like the one shown above to see the tutorial video HERE. See the door decoration post HERE.

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If you’ve been wondering about this Lilliput collection I’ve been talking about in this post and the few prints you’ve seen used in my Charming Nine quilt, I’m talking about the next fabric line I designed. Lilliput is my first ever children’s collection but it’s not just for kids and has prints the whole family will love. Take a look at the collection on the AGF website, HERE.

Lilliput is my 10th collection for Art Gallery Fabrics and is slightly delayed because of all the shipping hassles happening world wide but due in any day and it wont be long before this collection starts showing up in your local quilt shop and favorite on line shops!

I’ve started a stock list for online shops carrying Lilliput and you’ll find link on my Fabrics page. Some of these shops are taking pre-orders for the collection to if you’re one who likes to have collections as they first come out and before shops sell out you’ll want to get your name on the list!

Trust me, there’ll be much more to share about Lilliput and new quilt patterns in the weeks ahead. Until then, happy sewing!

I am an Amazon Associate site and earn from qualifying purchases on the products I’ve linked below. The helpful products selected are the same or similar to materials used to make the project(s) in this blog post or related items I think you may enjoy.

Sweet Home Quilt Along - Week 5

Sweet Home Quilt Along - Week 5

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Welcome to the fifth week of the Sweet Home Quilt along hosted by (me) Sharon Holland, Maureen Cracknell, and Jennifer Jones. It’s been fun to connect with the Sweet Home quilt makers on our Instagram community and here on our blogs. The quilts being made are so adorable—see what I mean when you search the #SweetHomeQAL hashtag on Instagram.

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If you’re just joining us you’ll probably want to pop over to the Sweet Home Quilt Along - Week 1 post to get caught up. You can purchase the Sweet Home quilt pattern from my SHOP here.

The quilt along will run six weeks total and we’ll cover a different aspect of piecing or finishing for that week. Some of you are working ahead and that’s wonderful—it’ll give you more time for the quilting and finishing portion. This quilt along is very relaxed. If you feel like completing the top in a week—go for it! But, if you’re a beginner and want more instruction along the way—we have that too in the form of LIVE and recorded Instagram tutorials over on my IGTV channel on Instagram. I’ve recorded step by step tutorials for you to access on my @sharonhollanddesigns IGTV channel on Instagram and so far the Sweet Home Quilt series covers fabric selection, Log Cabin block, and Bungalow block construction.

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Assembly and Finishing

We’ve got a lot to cover this week as we assembly our quilt sandwich, quilt, and bind our Sweet Home quilts. Luckily, I’ve covered different aspects of how to quilt a quilt on my other Sew Alongs and Tutorials so as you continue reading, be watching for the highlighted links to take you to those previous posts and tutorials.

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Basting

If you’re planning to do your own quilting for this quilt I recommend spray basting. I’ve tried a few different brand and hands down I love Odif 505 brand the best. See the step-by-step instructions for how I sandwich my quilt layers and apply the spray baste in the Basting tutorial as part of my Sewcial Bee Sampler Quilt Finishing post.

For all the quilts shown in this post I used Hobbs Tuscany Silk batting inside and love working with it if I’m the one quilting but since I’ve sent my quilts to Lady Belle Fabric with Tuscany Silk batting to use she now carries it as a batting option in her shop because she also loves working with it too!

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Quilting

Even if you’re not planning to do your own quilting you’ll still need some inspiration for just how to quilt your quilt. A good long armer will help you decide what may look best.

I personally love an overall design that may not have anything to do with the quilt design at all but that it adds another layer of goodness to the entire finished piece.

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It’s certainly not my best work ever but I have my quilt finished and did the quilting myself this time around. I went with one of my favorite quilt designs, the Fan or Baptist Fan design. I’ve a tutorial for how to mark out a quilt and stitch in a continuous line. Read more HERE.

For more information on how I quilt using a mid arm machine and some easy looping stitches read more HERE.

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The two Sweet Home Quilts I made in the spring I sent off to Brooke Becker of Lady Belle Fabric to be long arm quilted. The blue quilt above has an overall geometric pattern called Abacus.

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This quilt was made for my grandson who love stripes so the diagonal lines of the quilting were just perfect to highlight all the lines already happening in the quilt. I also bound the quilt with light blue Chenille-it Blooming Bias.

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For my granddaughter who loves pink and flowers I had Brooke use the Daisy Chain design for the quilting.

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Chenille-it Blooming Bias was also used to edge this pretty Sweet Home quilt and I used the natural color for this one. It’s really the perfect finish for this fun quilt.

Binding

The Sweet Home quilt pattern includes information for traditional strip binding as well as how to attach Chenille-it Blooming Bias tape for the binding. I’ve tutorials for both!

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Regular Double-fold binding is the most common type of binding and done by cutting width of fabric strips. The Sweet Home quilt pattern includes my method for attaching traditional binding and you’ll also find step-by-step instructions for traditional and bias binding HERE and even more instructions and step-out photos HERE.

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Attaching Chenille-it Blooming Bias tape to your quilt for binding is a little different and possibly easier than traditional binding. Faux chenille binding does not fully encase the raw edge of the quilt like traditional binding does so the first thing you’ll want to do it to zig zag or serger the edges of your quilt.

I’ve made a YouTube video that shows you exactly how to apply this fun product to your Sweet Home Quilt.

For my quilt along Sweet Home make I used the Cinnamon colored faux chenille for my binding. Binding is applied in double layers to both the front and the back of the quilt. Below is how the Blooming Bias looks stitched to the edges and before 'blooming' in the laundry.

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To “bloom” the bias tape you can run your quilt through a gentle cycle wash in the laundry. Blooming can be done by hand but is more successful if the quilt is laundered.

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Toss the quilt into the dryer on a low, gentle tumble. I have dryer balls I use in the dryer that also help to fluff the quilt and dry it faster. I prefer to leave my quilt just a touch damp for reshaping and a light press but you may love a dryer-crinkled quilt so wash and dry like you would normally with your quilts.

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Next week it’s all about the big reveals! I’ll show off my lovely Sweet Home quilt with it’s Art Gallery Fabrics Terra Kotta prints and my co-hosts will have their quilts to show off!! I’m excited to see your quilts.

I’m enjoying seeing your postings to Instagram and following along on your progress—you’re all are doing amazing and beautiful work on your Sweet Home quilts—there’s even some finished quilts showing up already!

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Don’t forget that this Friday will be a new Friday Giveaway with fabulous prizes from our sponsors. Be following along on Instagram as all the giveaways will be held on that platform and winners will be randomly drawn the following Monday from the #SweetHomeQAL hashtag pool. The quilt along members that post their progress photos to public account on Instagram and use the hashtag #SweetHomeQAL will automatically be entered into every Sweet Home Quilt Along drawing! It’s that easy to enter, so enter often to up your chances!

And, while you’re on Instagram, take a look at the #SweetHomeQAL hashtag on Instagram and see what the other QAL Makers are using in their quilts—it’s an amazing resource not only to see fabrics but to make new friends!

I am an Amazon Associate site and earn from qualifying purchases on the products I’ve linked below. The helpful products selected are the same or similar to materials used to make the project(s) in this blog post or related items I think you may enjoy.

Heart Quilt Sew Along - Week 3

Heart Quilt Sew Along - Week 3

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It’s the final week in the Heart Quilt sew along. This fast and fun sew along has been hosted by myself and Maureen Cracknell with special thanks to Allison Harris of Cluck Cluck Sew for allowing us to use her Heart Block in our quilt layout.

If you’re just joining us, you’ll want to get up to speed by reading first weeks post announcing the sew along. If you’re already making heart block or at the point to start adding the sashing and borders—check out week 2 HERE.

This last post is dedicated to turning that top into a quilt plus I’ve added an extra bonus project for all those left over half square triangles from trimming the large flippy corners off the hearts!

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Quilting

Rather than reinvent the wheel, I'm directing you to the blog post for Finishing that was originally posted during the Sewcial Bee Sampler sew along. You'll find all the tutorial information for spray basting, quilting, and binding your quilt. The sizes have changed but the concept for basting, quilting, and binding your quilt are the same. As stated in that post, there are many ways to finish a quilt and I am blogging about how I finish my quilts. If you have a preferred method, please do it the way you're comfortable with. If you intend to send your top off to be professionally quilted, discuss with your long-arm quilter how they'd like you to prepare your quilt top and backing for being quilted. 

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I'm not a professional quilter by any means. I get by and call my quilting style "organic" because it's not perfect and lines are not straight. I love the human touch that non-perfect quilting adds to my quilts. I used my mid-arm Viking Platinum 16 for quilting my top. The quilting guide lines were marked out ahead of time and the quilting went really fast after that to just follow the diagonal lines as shown below in the quilting diagram.

Quilting diagram

Quilting diagram

I used my favorite Hobb’s Tuscany Silk batting inside my quilt and love how light and drapey it is—especially for handling and maneuvering when quilting.

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The backing on my quilt is from my Everlasting fabric collection for Art Gallery Fabrics and is called Summer’s Dance. For the binding I used Woodblock Ballerina that was also used for hearts.

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Here’s another look at the prints that went into my quilt. My Heart quilt’s stitched from a curated mix of fabrics from Art Gallery Fabrics Ballerina Fusion (a recolored mix of AGF designer prints), my Spirited, Everlasting, Signature, and Maureen’s Enchanted Voyage and Mystical Land collections.

My non-traditional Valentine colors remind me of sugared gum drops and candy. I’m crazy over this color palette and went with my heart when I did my fabric pull.

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One of the biggest challenges of photographing quilts this time of year is the gloomy, cold weather. I had some grand plans for how to photograph this out doors but the wind didn’t cooperate. It started to rain shortly after we got these shots…

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Be sure to check out Maureen’s blog to see her finished quilt top and bonus project from left over HSTs all made using a mix of Amy Sinabaldi’s MayFair and the new Foresta Fusion collection. Quilt kits for Maureen’s quilt are available at Lady Belle Fabric.

Photo and Heart quilt by Maureen Cracknell

Photo and Heart quilt by Maureen Cracknell

Bonus Project

Since I finished my quilt by Sunday I could’ve easily stopped there, written this blog post and moved on to the other projects stacking up on my desk but no—that’s too easy!

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Remember in my Instagram Stories videos where I told you to hold onto those large half square triangle (HST) waste pieces???

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I turned mine into this fun pillow! As a bonus, I’ll share with you how to make one (or more) for yourself!

The beauty of this type of project is that it can be customized to any size you want. I happened to have an extra rectangular pillow I wasn’t using anywhere in the house so I used it as my pillow form. It measures around 14’’ x 26’’ and is probably not a standard size.

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I trimmed 36 HSTs to 3-1/2’’ square using my Bloc_Loc Ruler then arranged them into a design. I would’ve loved if the design was symmetrical but no such luck in this improv piece using scraps. I don’t really notice it now that the pillow is done.

I added 2’’-wide strips to the top and bottom to get it all up to the size I needed.

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I’ve done a few projects on this blog where I’ve incorporated Chenille-it Blooming Bias and I can’t tell you enough how much I love this added texture—especially to pillows!

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After stitching quilting lines to outline the chevron shapes 1/4’’ inside the seam allowances I added the 3/8 inch-wide Chenille-it to my pillow top. Stitching the blooming bias down not only adheres the product but also works as quilting.

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I added two echo rows of chenille to the background areas. To read about how to stitch and then bloom the chenille, read more on my Chenille Pillow with Hidden Zipper post/tutorial. Plus, to see the gorgeous decorator pillows I made more recently with my Spirited Trail Marker print and Chenille-it, read HERE.

For more Chenille-it projects, here’s a fun You Tube video!

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Personally I love a zipper closure on a pillow. Especially in a case like this where I’m using an existing pillow as the pillow form and like to switch out or clean the pillow covers regularly. You’ll find my go-to method for adding a hidden zipper on a pillow HERE. It’s insanely easy to do!

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Now, not only do I have a heart quilt to snuggle under this Valentine’s Day but I have a coordinating pillow to go along with it!

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Maureen and I want to thank you for sewing along with us and sharing your progress of your blocks to Instagram. We love seeing your work and encourage you to follow along, share, and tag when you post. Use the sew along hashtag of #agfLOVEquilt and be sure to tag @sharonhollanddesigns @maureencracknell and @cluckclucksew so we can see your progress! If you’re sewing with Art Gallery Fabrics don’t forget to tag them too as they love to see what Makers are making with @artgalleryfabrics !

Happy Valentine’s Day!

I am an Amazon Associate site and earn from qualifying purchases on the products I’ve linked below. The helpful products selected are the same or similar to materials used to make the project(s) in this blog post or related items I think you may enjoy.

Hold Tight Petite Sew Along - Finishing

Hold Tight Petite Sew Along - Finishing

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It’s the final week of the Hold Tight Petite Sew Along and today’s post will cover assembling the blocks in a Quilt As You Go (QAYG) quilt sandwich or assembling the top and making a traditional quilt sandwich, quilting, hand quilting and binding.

As Blair Stocker’s Wise Craft Ruby Ruler™ Ambassador series August Ruby Ambassador (Read my interview by Blair—here) I thought what better way than collaborate with Blair on the Petite Sew Along and use her rulers to help navigate color and value in a fun quilt project.

Here’s what we’ve accomplished in three weeks:

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Blair’s ruby-hued artist’s viewfinder tools the Ruby Ruler™ and Ruby Minder™ where invaluable tools in the first week’s study on Color and Value. I blogged about how, as a designer, I go about selecting colors for my fabric collections or a color story for a quilt and how I used the Ruby Minder™ to check my selections of Art Gallery Fabric Pure Solids. If you missed the first week, read more here. Plus you’ll find additional color theory materials covered on Week #1 and Week #2 of the original Hold Tight sew along as well as in the skill-building demonstration videos. Find these helpful videos on my Sew Along page which are available for viewing any time.

To catch up on what happened during week 2, read my Cutting & Piecing blog post here. Use templates to cut out shapes and sew curves with ease. Find out how with my videos for Week #2, #3 Part 1, and #3 Part 2 on the Sew Along page.

During the Hold Tight Petite sew along, Blair Stocker will be following up my Wednesday morning blog posts with a Facebook Live session. This workshop-like experience with Blair on Facebook is a huge bonus along with connecting with more than 1,500 other quilter’s via Blairs private Facebook group! Blair will host live sessions to support my sew along blog posts and share with you her expertise. Note: Blair’s FB group is free to join by answering three questions when requesting to be added to the group. If you can’t join in the live sessions—no problem—the videos are available for replay and ready to view when you are!

Hold Tight Petite quilt by Sharon Holland

Hold Tight Petite quilt by Sharon Holland

This sew along is free to join—no sign up forms—just follow along and have fun. You’ll will need, however, the Hold Tight quit pattern. If you don't have my Hold Tight quilt pattern already, you'll want to purchase the Hold Tight PDF pattern from my Shop page. The Hold Tight pattern now includes two sizes—the original over-sized throw and the new petite crib-size quilt. The material lists, cutting requirements, coloring sheet, and full-size templates are part of the fully illustrated PDF pattern. These sew along blog posts serve to supplement the PDF but don't provide the detailed pattern information that you'll find in the PDF available for purchase. If you’ve purchased the original PDF prior to August 5, 2019 and didn’t receive a special newsletter email from this blog sharing the link to the Petite Add-On download, see my SEW ALONG page to get your copy of the bonus size. You’ll find the Add-On download that contains the crib-size material list, cutting guide, and coloring sheet. Note: You’ll still need the original Hold Tight pattern for quilt details. The current PDF in my shop has been updated with both quilt sizes so patterns purchased after August 5, 2019 include both quilt sizes—no add-on necessary.

WEEK #3 - QAYG and Finishing

I like options, don’t you? I also like to be able to quilt my own quilts. The original large throw-size Hold Tight quilt and the new Petite crib-size quilts are both nice size quilts for trying machine quilting on your sewing machine as well as adding some decorative hand quilting for the balloon strings.

Hold Tight quilt throw-size by Sharon Holland

Hold Tight quilt throw-size by Sharon Holland

For tips on how to machine quilt a traditional quilt sandwich (quilt top, batting, and backing sandwich), like the quilts from my first Sew Along (above), see Hold Tight Sew Along Week #4 blog post.

For those wanting to try Quilt As You Go (QAYG) keep reading as I walk you through how I finished my Petite Hold Tight quilt.

QAYG

Hold Tight Petite by Sharon Holland

Hold Tight Petite by Sharon Holland

My QAYG finishing method is a hybrid of QAYG and traditional quilting to secure block rows to a batting and backing sandwich. Once the horizontal rows have been stitched down to the batting/backing in a QAYG row assembly, the finishing of the quilt is more traditional with the addition of machine or hand stitching.

The quilting on my Petite crib quilt is minimal. The quilting stitches are about 4’’ apart and I could get away with this because I used Hobbs Tuscany Premium Polyester Batting for my batting. The beautiful loft of Hobbs Tuscany Polyester adds to the puffy balloon look and makes for a snuggly-warm quilt and doesn’t shrink.

Securing Horizontal Rows in QAYG

Once all the block are made and squared up see Week 2, sew the blocks into horizontal rows. This is the same for either size quilt.

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Cut and piece backing according to the pattern directions and for the size quilt you’ve selected. I selected Paper Flowers Aurora from my Tapestry collection for Art Gallery Fabrics as the print for my backing. Cut batting to size indicated on pattern. Hand or spray baste batting to backing to prepare for QAYG assembly. See Sewcial Bee Sampler Quilt Finishing post for spray basting batting to backing.

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Just as if you were assembling a quilt top, place the first two rows to be stitched right sides together, seams nested and edges matched. Pin at seams.

You can start from the bottom and working your way up, like I did (see above illustration) or begin from the top of the quilt and work down—the results will be the same. Center the pinned rows onto the batting/backing near the bottom if working up or at the top if working down. Pin row assembly to backing/batting. Stitch with a 1/4’’ seam allowance through all layers, removing pins as you sew.

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Carefully press the top row open and pin the flipped row down to hold flat. I like to roll the quilt batting/backing for easier handling.

Hold Tight Petite QAYG Assembly

Hold Tight Petite QAYG Assembly

Continue adding additional rows in the same manner. Press rows open as you go and continually check that the quilt top is flat and the backing is smooth with each row addition. Remove basting stitches if you hand basted the batting/backing layers.

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After all the horizontal rows have been added, machine or hand baste around the outside edge of the quilt with an 1/8’’ seam allowance to secure the outside block edges. Note: Leave the excess batting/backing until all the quilting is finished.

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At this point you have the top secured to the batting and backing but will need to add more quilting. You’ve basically better-than-basted your top to the batting and backing. Quilt as desired or you can go minimal like I did and machine or hand quilt in the ditch along the vertical seams. I hand quilted my vertical seams with 40 wt. cotton thread so it wouldn’t be very noticeable. You can just see some stitches if you look at the orange balloon in the above photo. You’ve now secured all the blocks down in a grid.

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For the rest of the quilt I selected four DMC Perle cotton threads and hand stitched 1/4’’ from the seam lines to echo the balloon shapes. I love how Blair’s Ruby Minder™ ruler also doubles as a thread minder!

To determine where my balloon strings should go and to avoid having to put marks on my quilt to get the straight guide lines, I used tape to mask out my lines. Watch how to hand quilt using floss and how to use tape as a guide, here.

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Once all the quilting is completed, add binding according to the pattern’s instructions. Trim batting and backing to edge of binding. Turn binding to the back of the quilt and hand or machine stitch to finish.

Hold Tight Petite by Sharon Holland

Hold Tight Petite by Sharon Holland

I hope you’ve enjoyed this petite quilt along and a further chance to play with with fun pattern, learn more about working with color and value, and sewing with curves. The Hold Tight Petite quilt is the perfect crib-size quilt and I love the puffy batting for it’s warmth and drape. My grandson needs a second quilt that he can drag around and snuggle with and he’ll be getting this one when I see him next month.

I’m excited to see Blair’s finished quilt and would love to see yours too! If you’re on Instagram, tag me @sharonhollanddesigns and Blair @blairs use the #holdtightquilt or #holdtightsewalong hashtag so we can follow your progress. If you’re sewing with Art Gallery Fabrics be sure to tag #artgalleryfabrics too! Don’t forget that you can join Blair’s Facebook group and meet others working on this quilt along with value and color insights from Blair’s expert knowledge of the subject.

Thanks for sewing with us!