Sweet Home Quilt Along - Week 5

Sweet Home Quilt Along - Week 5

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Welcome to the fifth week of the Sweet Home Quilt along hosted by (me) Sharon Holland, Maureen Cracknell, and Jennifer Jones. It’s been fun to connect with the Sweet Home quilt makers on our Instagram community and here on our blogs. The quilts being made are so adorable—see what I mean when you search the #SweetHomeQAL hashtag on Instagram.

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If you’re just joining us you’ll probably want to pop over to the Sweet Home Quilt Along - Week 1 post to get caught up. You can purchase the Sweet Home quilt pattern from my SHOP here.

The quilt along will run six weeks total and we’ll cover a different aspect of piecing or finishing for that week. Some of you are working ahead and that’s wonderful—it’ll give you more time for the quilting and finishing portion. This quilt along is very relaxed. If you feel like completing the top in a week—go for it! But, if you’re a beginner and want more instruction along the way—we have that too in the form of LIVE and recorded Instagram tutorials over on my IGTV channel on Instagram. I’ve recorded step by step tutorials for you to access on my @sharonhollanddesigns IGTV channel on Instagram and so far the Sweet Home Quilt series covers fabric selection, Log Cabin block, and Bungalow block construction.

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Assembly and Finishing

We’ve got a lot to cover this week as we assembly our quilt sandwich, quilt, and bind our Sweet Home quilts. Luckily, I’ve covered different aspects of how to quilt a quilt on my other Sew Alongs and Tutorials so as you continue reading, be watching for the highlighted links to take you to those previous posts and tutorials.

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Basting

If you’re planning to do your own quilting for this quilt I recommend spray basting. I’ve tried a few different brand and hands down I love Odif 505 brand the best. See the step-by-step instructions for how I sandwich my quilt layers and apply the spray baste in the Basting tutorial as part of my Sewcial Bee Sampler Quilt Finishing post.

For all the quilts shown in this post I used Hobbs Tuscany Silk batting inside and love working with it if I’m the one quilting but since I’ve sent my quilts to Lady Belle Fabric with Tuscany Silk batting to use she now carries it as a batting option in her shop because she also loves working with it too!

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Quilting

Even if you’re not planning to do your own quilting you’ll still need some inspiration for just how to quilt your quilt. A good long armer will help you decide what may look best.

I personally love an overall design that may not have anything to do with the quilt design at all but that it adds another layer of goodness to the entire finished piece.

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It’s certainly not my best work ever but I have my quilt finished and did the quilting myself this time around. I went with one of my favorite quilt designs, the Fan or Baptist Fan design. I’ve a tutorial for how to mark out a quilt and stitch in a continuous line. Read more HERE.

For more information on how I quilt using a mid arm machine and some easy looping stitches read more HERE.

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The two Sweet Home Quilts I made in the spring I sent off to Brooke Becker of Lady Belle Fabric to be long arm quilted. The blue quilt above has an overall geometric pattern called Abacus.

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This quilt was made for my grandson who love stripes so the diagonal lines of the quilting were just perfect to highlight all the lines already happening in the quilt. I also bound the quilt with light blue Chenille-it Blooming Bias.

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For my granddaughter who loves pink and flowers I had Brooke use the Daisy Chain design for the quilting.

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Chenille-it Blooming Bias was also used to edge this pretty Sweet Home quilt and I used the natural color for this one. It’s really the perfect finish for this fun quilt.

Binding

The Sweet Home quilt pattern includes information for traditional strip binding as well as how to attach Chenille-it Blooming Bias tape for the binding. I’ve tutorials for both!

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Regular Double-fold binding is the most common type of binding and done by cutting width of fabric strips. The Sweet Home quilt pattern includes my method for attaching traditional binding and you’ll also find step-by-step instructions for traditional and bias binding HERE and even more instructions and step-out photos HERE.

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Attaching Chenille-it Blooming Bias tape to your quilt for binding is a little different and possibly easier than traditional binding. Faux chenille binding does not fully encase the raw edge of the quilt like traditional binding does so the first thing you’ll want to do it to zig zag or serger the edges of your quilt.

I’ve made a YouTube video that shows you exactly how to apply this fun product to your Sweet Home Quilt.

For my quilt along Sweet Home make I used the Cinnamon colored faux chenille for my binding. Binding is applied in double layers to both the front and the back of the quilt. Below is how the Blooming Bias looks stitched to the edges and before 'blooming' in the laundry.

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To “bloom” the bias tape you can run your quilt through a gentle cycle wash in the laundry. Blooming can be done by hand but is more successful if the quilt is laundered.

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Toss the quilt into the dryer on a low, gentle tumble. I have dryer balls I use in the dryer that also help to fluff the quilt and dry it faster. I prefer to leave my quilt just a touch damp for reshaping and a light press but you may love a dryer-crinkled quilt so wash and dry like you would normally with your quilts.

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Next week it’s all about the big reveals! I’ll show off my lovely Sweet Home quilt with it’s Art Gallery Fabrics Terra Kotta prints and my co-hosts will have their quilts to show off!! I’m excited to see your quilts.

I’m enjoying seeing your postings to Instagram and following along on your progress—you’re all are doing amazing and beautiful work on your Sweet Home quilts—there’s even some finished quilts showing up already!

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Don’t forget that this Friday will be a new Friday Giveaway with fabulous prizes from our sponsors. Be following along on Instagram as all the giveaways will be held on that platform and winners will be randomly drawn the following Monday from the #SweetHomeQAL hashtag pool. The quilt along members that post their progress photos to public account on Instagram and use the hashtag #SweetHomeQAL will automatically be entered into every Sweet Home Quilt Along drawing! It’s that easy to enter, so enter often to up your chances!

And, while you’re on Instagram, take a look at the #SweetHomeQAL hashtag on Instagram and see what the other QAL Makers are using in their quilts—it’s an amazing resource not only to see fabrics but to make new friends!

I am an Amazon Associate site and earn from qualifying purchases on the products I’ve linked below. The helpful products selected are the same or similar to materials used to make the project(s) in this blog post or related items I think you may enjoy.

Heart Quilt Sew Along - Week 3

Heart Quilt Sew Along - Week 3

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It’s the final week in the Heart Quilt sew along. This fast and fun sew along has been hosted by myself and Maureen Cracknell with special thanks to Allison Harris of Cluck Cluck Sew for allowing us to use her Heart Block in our quilt layout.

If you’re just joining us, you’ll want to get up to speed by reading first weeks post announcing the sew along. If you’re already making heart block or at the point to start adding the sashing and borders—check out week 2 HERE.

This last post is dedicated to turning that top into a quilt plus I’ve added an extra bonus project for all those left over half square triangles from trimming the large flippy corners off the hearts!

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Quilting

Rather than reinvent the wheel, I'm directing you to the blog post for Finishing that was originally posted during the Sewcial Bee Sampler sew along. You'll find all the tutorial information for spray basting, quilting, and binding your quilt. The sizes have changed but the concept for basting, quilting, and binding your quilt are the same. As stated in that post, there are many ways to finish a quilt and I am blogging about how I finish my quilts. If you have a preferred method, please do it the way you're comfortable with. If you intend to send your top off to be professionally quilted, discuss with your long-arm quilter how they'd like you to prepare your quilt top and backing for being quilted. 

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I'm not a professional quilter by any means. I get by and call my quilting style "organic" because it's not perfect and lines are not straight. I love the human touch that non-perfect quilting adds to my quilts. I used my mid-arm Viking Platinum 16 for quilting my top. The quilting guide lines were marked out ahead of time and the quilting went really fast after that to just follow the diagonal lines as shown below in the quilting diagram.

Quilting diagram

Quilting diagram

I used my favorite Hobb’s Tuscany Silk batting inside my quilt and love how light and drapey it is—especially for handling and maneuvering when quilting.

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The backing on my quilt is from my Everlasting fabric collection for Art Gallery Fabrics and is called Summer’s Dance. For the binding I used Woodblock Ballerina that was also used for hearts.

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Here’s another look at the prints that went into my quilt. My Heart quilt’s stitched from a curated mix of fabrics from Art Gallery Fabrics Ballerina Fusion (a recolored mix of AGF designer prints), my Spirited, Everlasting, Signature, and Maureen’s Enchanted Voyage and Mystical Land collections.

My non-traditional Valentine colors remind me of sugared gum drops and candy. I’m crazy over this color palette and went with my heart when I did my fabric pull.

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One of the biggest challenges of photographing quilts this time of year is the gloomy, cold weather. I had some grand plans for how to photograph this out doors but the wind didn’t cooperate. It started to rain shortly after we got these shots…

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Be sure to check out Maureen’s blog to see her finished quilt top and bonus project from left over HSTs all made using a mix of Amy Sinabaldi’s MayFair and the new Foresta Fusion collection. Quilt kits for Maureen’s quilt are available at Lady Belle Fabric.

Photo and Heart quilt by Maureen Cracknell

Photo and Heart quilt by Maureen Cracknell

Bonus Project

Since I finished my quilt by Sunday I could’ve easily stopped there, written this blog post and moved on to the other projects stacking up on my desk but no—that’s too easy!

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Remember in my Instagram Stories videos where I told you to hold onto those large half square triangle (HST) waste pieces???

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I turned mine into this fun pillow! As a bonus, I’ll share with you how to make one (or more) for yourself!

The beauty of this type of project is that it can be customized to any size you want. I happened to have an extra rectangular pillow I wasn’t using anywhere in the house so I used it as my pillow form. It measures around 14’’ x 26’’ and is probably not a standard size.

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I trimmed 36 HSTs to 3-1/2’’ square using my Bloc_Loc Ruler then arranged them into a design. I would’ve loved if the design was symmetrical but no such luck in this improv piece using scraps. I don’t really notice it now that the pillow is done.

I added 2’’-wide strips to the top and bottom to get it all up to the size I needed.

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I’ve done a few projects on this blog where I’ve incorporated Chenille-it Blooming Bias and I can’t tell you enough how much I love this added texture—especially to pillows!

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After stitching quilting lines to outline the chevron shapes 1/4’’ inside the seam allowances I added the 3/8 inch-wide Chenille-it to my pillow top. Stitching the blooming bias down not only adheres the product but also works as quilting.

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I added two echo rows of chenille to the background areas. To read about how to stitch and then bloom the chenille, read more on my Chenille Pillow with Hidden Zipper post/tutorial. Plus, to see the gorgeous decorator pillows I made more recently with my Spirited Trail Marker print and Chenille-it, read HERE.

For more Chenille-it projects, here’s a fun You Tube video!

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Personally I love a zipper closure on a pillow. Especially in a case like this where I’m using an existing pillow as the pillow form and like to switch out or clean the pillow covers regularly. You’ll find my go-to method for adding a hidden zipper on a pillow HERE. It’s insanely easy to do!

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Now, not only do I have a heart quilt to snuggle under this Valentine’s Day but I have a coordinating pillow to go along with it!

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Maureen and I want to thank you for sewing along with us and sharing your progress of your blocks to Instagram. We love seeing your work and encourage you to follow along, share, and tag when you post. Use the sew along hashtag of #agfLOVEquilt and be sure to tag @sharonhollanddesigns @maureencracknell and @cluckclucksew so we can see your progress! If you’re sewing with Art Gallery Fabrics don’t forget to tag them too as they love to see what Makers are making with @artgalleryfabrics !

Happy Valentine’s Day!

I am an Amazon Associate site and earn from qualifying purchases on the products I’ve linked below. The helpful products selected are the same or similar to materials used to make the project(s) in this blog post or related items I think you may enjoy.

Hold Tight Petite Sew Along - Finishing

Hold Tight Petite Sew Along - Finishing

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It’s the final week of the Hold Tight Petite Sew Along and today’s post will cover assembling the blocks in a Quilt As You Go (QAYG) quilt sandwich or assembling the top and making a traditional quilt sandwich, quilting, hand quilting and binding.

As Blair Stocker’s Wise Craft Ruby Ruler™ Ambassador series August Ruby Ambassador (Read my interview by Blair—here) I thought what better way than collaborate with Blair on the Petite Sew Along and use her rulers to help navigate color and value in a fun quilt project.

Here’s what we’ve accomplished in three weeks:

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Blair’s ruby-hued artist’s viewfinder tools the Ruby Ruler™ and Ruby Minder™ where invaluable tools in the first week’s study on Color and Value. I blogged about how, as a designer, I go about selecting colors for my fabric collections or a color story for a quilt and how I used the Ruby Minder™ to check my selections of Art Gallery Fabric Pure Solids. If you missed the first week, read more here. Plus you’ll find additional color theory materials covered on Week #1 and Week #2 of the original Hold Tight sew along as well as in the skill-building demonstration videos. Find these helpful videos on my Sew Along page which are available for viewing any time.

To catch up on what happened during week 2, read my Cutting & Piecing blog post here. Use templates to cut out shapes and sew curves with ease. Find out how with my videos for Week #2, #3 Part 1, and #3 Part 2 on the Sew Along page.

During the Hold Tight Petite sew along, Blair Stocker will be following up my Wednesday morning blog posts with a Facebook Live session. This workshop-like experience with Blair on Facebook is a huge bonus along with connecting with more than 1,500 other quilter’s via Blairs private Facebook group! Blair will host live sessions to support my sew along blog posts and share with you her expertise. Note: Blair’s FB group is free to join by answering three questions when requesting to be added to the group. If you can’t join in the live sessions—no problem—the videos are available for replay and ready to view when you are!

Hold Tight Petite quilt by Sharon Holland

Hold Tight Petite quilt by Sharon Holland

This sew along is free to join—no sign up forms—just follow along and have fun. You’ll will need, however, the Hold Tight quit pattern. If you don't have my Hold Tight quilt pattern already, you'll want to purchase the Hold Tight PDF pattern from my Shop page. The Hold Tight pattern now includes two sizes—the original over-sized throw and the new petite crib-size quilt. The material lists, cutting requirements, coloring sheet, and full-size templates are part of the fully illustrated PDF pattern. These sew along blog posts serve to supplement the PDF but don't provide the detailed pattern information that you'll find in the PDF available for purchase. If you’ve purchased the original PDF prior to August 5, 2019 and didn’t receive a special newsletter email from this blog sharing the link to the Petite Add-On download, see my SEW ALONG page to get your copy of the bonus size. You’ll find the Add-On download that contains the crib-size material list, cutting guide, and coloring sheet. Note: You’ll still need the original Hold Tight pattern for quilt details. The current PDF in my shop has been updated with both quilt sizes so patterns purchased after August 5, 2019 include both quilt sizes—no add-on necessary.

WEEK #3 - QAYG and Finishing

I like options, don’t you? I also like to be able to quilt my own quilts. The original large throw-size Hold Tight quilt and the new Petite crib-size quilts are both nice size quilts for trying machine quilting on your sewing machine as well as adding some decorative hand quilting for the balloon strings.

Hold Tight quilt throw-size by Sharon Holland

Hold Tight quilt throw-size by Sharon Holland

For tips on how to machine quilt a traditional quilt sandwich (quilt top, batting, and backing sandwich), like the quilts from my first Sew Along (above), see Hold Tight Sew Along Week #4 blog post.

For those wanting to try Quilt As You Go (QAYG) keep reading as I walk you through how I finished my Petite Hold Tight quilt.

QAYG

Hold Tight Petite by Sharon Holland

Hold Tight Petite by Sharon Holland

My QAYG finishing method is a hybrid of QAYG and traditional quilting to secure block rows to a batting and backing sandwich. Once the horizontal rows have been stitched down to the batting/backing in a QAYG row assembly, the finishing of the quilt is more traditional with the addition of machine or hand stitching.

The quilting on my Petite crib quilt is minimal. The quilting stitches are about 4’’ apart and I could get away with this because I used Hobbs Tuscany Premium Polyester Batting for my batting. The beautiful loft of Hobbs Tuscany Polyester adds to the puffy balloon look and makes for a snuggly-warm quilt and doesn’t shrink.

Securing Horizontal Rows in QAYG

Once all the block are made and squared up see Week 2, sew the blocks into horizontal rows. This is the same for either size quilt.

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Cut and piece backing according to the pattern directions and for the size quilt you’ve selected. I selected Paper Flowers Aurora from my Tapestry collection for Art Gallery Fabrics as the print for my backing. Cut batting to size indicated on pattern. Hand or spray baste batting to backing to prepare for QAYG assembly. See Sewcial Bee Sampler Quilt Finishing post for spray basting batting to backing.

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Just as if you were assembling a quilt top, place the first two rows to be stitched right sides together, seams nested and edges matched. Pin at seams.

You can start from the bottom and working your way up, like I did (see above illustration) or begin from the top of the quilt and work down—the results will be the same. Center the pinned rows onto the batting/backing near the bottom if working up or at the top if working down. Pin row assembly to backing/batting. Stitch with a 1/4’’ seam allowance through all layers, removing pins as you sew.

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Carefully press the top row open and pin the flipped row down to hold flat. I like to roll the quilt batting/backing for easier handling.

Hold Tight Petite QAYG Assembly

Hold Tight Petite QAYG Assembly

Continue adding additional rows in the same manner. Press rows open as you go and continually check that the quilt top is flat and the backing is smooth with each row addition. Remove basting stitches if you hand basted the batting/backing layers.

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After all the horizontal rows have been added, machine or hand baste around the outside edge of the quilt with an 1/8’’ seam allowance to secure the outside block edges. Note: Leave the excess batting/backing until all the quilting is finished.

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At this point you have the top secured to the batting and backing but will need to add more quilting. You’ve basically better-than-basted your top to the batting and backing. Quilt as desired or you can go minimal like I did and machine or hand quilt in the ditch along the vertical seams. I hand quilted my vertical seams with 40 wt. cotton thread so it wouldn’t be very noticeable. You can just see some stitches if you look at the orange balloon in the above photo. You’ve now secured all the blocks down in a grid.

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For the rest of the quilt I selected four DMC Perle cotton threads and hand stitched 1/4’’ from the seam lines to echo the balloon shapes. I love how Blair’s Ruby Minder™ ruler also doubles as a thread minder!

To determine where my balloon strings should go and to avoid having to put marks on my quilt to get the straight guide lines, I used tape to mask out my lines. Watch how to hand quilt using floss and how to use tape as a guide, here.

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Once all the quilting is completed, add binding according to the pattern’s instructions. Trim batting and backing to edge of binding. Turn binding to the back of the quilt and hand or machine stitch to finish.

Hold Tight Petite by Sharon Holland

Hold Tight Petite by Sharon Holland

I hope you’ve enjoyed this petite quilt along and a further chance to play with with fun pattern, learn more about working with color and value, and sewing with curves. The Hold Tight Petite quilt is the perfect crib-size quilt and I love the puffy batting for it’s warmth and drape. My grandson needs a second quilt that he can drag around and snuggle with and he’ll be getting this one when I see him next month.

I’m excited to see Blair’s finished quilt and would love to see yours too! If you’re on Instagram, tag me @sharonhollanddesigns and Blair @blairs use the #holdtightquilt or #holdtightsewalong hashtag so we can follow your progress. If you’re sewing with Art Gallery Fabrics be sure to tag #artgalleryfabrics too! Don’t forget that you can join Blair’s Facebook group and meet others working on this quilt along with value and color insights from Blair’s expert knowledge of the subject.

Thanks for sewing with us!

Hold Tight Sew Along Week #4

Hold Tight Sew Along Week #4

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It’s the fourth and final week of the Hold Tight Sew Along where I’ve been sharing tips and tutorials to bring your quilting skills to a new level. No longer will curved piecing hold you back from stitching a quilt with curves! 

If you don't have the pattern already, you'll want to purchase the Hold Tight PDF pattern from my Shop page or from our friends at Fat Quarter Shop who now carries this pattern along with the Hold Tight quilt kit. If you’ve just discovered this blog or only just heard about this sew along, there’s still plenty of time to join in on the fun as the blog post for the sew along will remain up to access any time. To get up to speed, take a look at the Week #1 posting dedicated to color selection and working with colors like a designer.

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The Hold Tight Sew Along tutorials are useful to anyone working with fabric and patchwork regardless what quilt is being made. In addition to my written posts, I’ve adding skill-building demonstration videos to further your learning experience. I’ve added a new video dedicated to hand quilting and adding the “strings” embellishment to this quilted quilt before binding. View video support Weeks #1 through #4 on my Sew Along page. All the videos will stay a permanent feature to resource in the future.

These blog posts serve to supplement the instructions but don't provide the detailed pattern information that you'll find in the PDF available for purchase. The Hold Tight pattern will have your material list, cutting requirements, full-size templates, and be fully illustrated. My supplementary blog posts are just that, supplementary and meant to guide you along as you sew and give general patchwork sewing information for anyone sewing curves.

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Quilting

If you’re a beginner or just in need of a refresher on how to baste your quilt top, machine quilt, and add the binding, check out the Finishing blog post I had written for the Sewcial Bee Sampler quilt. Since I cover the way I put together my quilt sandwich and how I go about machine quilting in the Sewcial Bee Sampler post I won’t go over that identical information here but instead add information specific to the Hold Tight quilt such as batting selection, the machine quilting design I used on both of my Hold Tight quilts, and hand quilting the string embellishment.

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To help illustrate how different batting lofts look in a finished quilt I decided to use the exact same quilting design on both of my Hold Tight quilts.

The white background quilt on the left has a Hobb’s Tuscany Silk batting inside and the ombré quilt on the right has Hobb’s Tuscany 100% Polyester batting inside. I love both of these battings but they have completely different properties.

Here’s what I love about both of these products:

Both preform beautifully with quilting stitched up to 4” apart.

Both have a beautiful drape, light weight (no heavy quilt to wrestle with when stitching), and easy to handle.

Both are excellent for hand stitching and machine quilting.

There’s no shrinkage with Tuscany Polyester and only 3%-5% with Tuscany Silk (but I’ve noticed very little after laundering).

I’ve had no issues with laundering these battings and set my machine to Delicate Cycle, Cold Water wash and rinse, and low heat (delicate) drying.

The Tuscany Silk is similar to a cotton batting for stitch definition and feel but without the weight. The Tuscany Polyester is a high loft for a puffier look and is light as a feather (great for kids and extra snuggly quilts).

You can read further direct from the source at Hobb’s Batting plus take a look at their handing Quilting Products Batting chart to know what’s the best batting for your needs.

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I decided to do a very simple quilting stitch on these two quilts. The original Hold Tight quilt is filled with Tuscany 100% Polyester batting but has a dense, overall quilt design (see quilt below) so the quilt doesn’t puff as much as with the simple, looser machine quilting (see quilt on the right, above). It just depends on the look and feel you want to achieve.

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To stitch the loose Looping Scallop design you will need to do a little prep work of marking a horizontal line across the middle of the block rows.

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By dividing the block rows in half horizontally you’re making guides for two Looping Scallop quilting lines per block row. Stagger the two Looping Scallops in alternating rows as seen in the illustration above. I freeform stitched my Looping Scallops and they look in real life about as wonky as they do on my illustrated drawing.

For one horizontal row of Looping Scallops I used the block seam lines as my guide where I would make the loop. On the next row, that seam line was my midway point between loops that I eye-balled to land in the middle of the block.

I worked from the bottom of the quilt up, as I wanted the scallops to give a bit of a cloud illusion and this felt the most natural for me in creating the loops. You can work from the top down if that feels more comfortable to you. If you’re not sure about eye-balling where the loops and scallops are to be stitched, then draw out the machine quilting design or make a little mark at the midpoints for reference so you have more of a guide to follow.

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Once your quilt has been quilted and before you add the binding, you’ll want to add the hand stitching to create strings on the ends of the balloons. I’ve put together a helpful video all about Hand Quilting and you can find it on the Sew Along page with the other Hold Tight Sew Along videos.

I used all 6 strands of 6-ply Aurifil floss for my hand quilting thread.

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All of my Hold Tight quilt use Art Gallery Fabrics Pure Solids for the top. The white background quilt I’m calling the Art Class color way and you can see the full list of fabrics used on week #1 of the Sew Along. For the backing I had to sneak in a print and used Sporangia Plaid print from my Art Gallery Fabrics Signature collection as the perfect compliment to the colorful front.

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For the Ombré Desert color way I mixed it up a bit and made a gradient background to simulate the sky. Read about the colors that went into making this top along with the color inspiration for the quilt on week #2 of the Sew Along.

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The backing for the Ombré Desert color way is Destination Aerial from my Tapestry collection for AGF. It was the perfect shades of blues and peaches!

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I lucked out with the perfect (although a bit windy) day for photography and love how the blue of the sky looks with these quilts. The balloons look as if they will fly away!!!

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I can’t wait to see your finished Hold Tight quilts, there’s so many possibilities for coloring and even the finishing options make this quilt look completely unique. Be sure to tag me @sharonhollanddesigns when posting to social media and don’t forget to use the hashtag #holdtightsewalong to be entered into our final giveaway that will be drawn from the Instagram hashtag pool on Monday, April 15 (see below for more details).

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Let’s give a huge shout out of thanks to our fine sponsors and their generous giveaway prizes. I personally love the people behind these companies, their quality products, and their dedication to serving makers like you.

Thank you to our friends at Dritz Sewing, the Fat Quarter Shop, Hobbs Batting, and Omnigrid have generously sponsored the Hold Tight Sew Along.

This Friday, April 12th will be our last Hold Tight Sew Along giveaway on Instagram. By using the hashtag #HoldTightSewAlong on Instagram every time you post sew along photos to a public account (private account posts don’t show up in hashtag pools) your IG account is automatically entered into the weekly sew along drawings! Ideas for what to share include your sew along progress, the “I’m a maker” sew along badge found HERE, your fabric pull, blocks, and finished quilt.

Be sure to follow me on Instagram @sharonhollanddesigns so you never miss a thing!

THIS WEEK'S GIVEAWAY SPONSOR IS FROM The Fat Quarter Shop

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You may need to be restocking your solids stash after this sew along so what better way add some color to your fabric cabinet than with a chance to win this giveaway! One lucky IG winner will be sewing with this beautiful 15-piece Art Gallery Fabrics Summer Sun Pure Elements fat quarter bundle generously offered by the Fat Quarter Shop.

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Don't forget the giveaways for this sew along are held on Instagram (not on the blog) and winning names are randomly drawn from the posts in the hashtag pool. By posting images of your Hold Tight color inspiration, fabric pull, blocks, or quilt. Use the official #holdtightsewalong hashtag every time you post your makes (to a public account) and you're automatically entered into the weekly IG drawings! See my Instagram Friday giveaway posts @sharonhollanddesigns for full details.