Hold Tight Sew Along Week #2

Hold Tight Sew Along Week #2

Welcome to Week #2 of the Hold Tight Sew Along! For this blog post, and the following two posts, I'll be share tips and tutorials to bring your quilting skills to a new level. No longer will curved piecing hold you back from stitching a quilt with curves! 

If you don't have the pattern already, you'll want to purchase the Hold Tight PDF pattern from my Shop page or from our friends at Fat Quarter Shop who now carries this pattern as well as Hold Tight quilt kits. These blog posts serve to supplement the instructions but don't provide the detailed pattern information that you'll find in the PDF available for purchase. The Hold Tight pattern will have your material list, cutting requirements, full-size templates, and be fully illustrated. My supplementary blog posts are just that, supplementary and meant to guide you along as you sew and give general patchwork sewing information for anyone sewing curves.

From March 20 until April 10, 2019 I'll be breaking down the key components of the Hold Tight baby quilt pattern into four manageable tutorial blog posts. These tutorials will be useful to anyone working with fabric and patchwork regardless what quilt is being made. In addition to my written posts, I’ve adding skill-building demonstration videos to further your learning experience. The videos support Weeks #1 through #3 and you’ll find these helpful videos on my Sew Along page. All the videos will be available on Week #1 of the sew along for those wanting to work ahead and will stay a permanent feature to resource in the future.

If you’ve just discovered this blog or only just heard about this sew along, there’s still plenty of time to join in on the fun and take part in the sponsored giveaway prizes for each week of the event. To get up to speed, take a look at the Week #1 posting dedicated to color selection and working with colors like a designer.

I’ve just finished a top for my third Hold Tight quilt! To give myself a color palette challenge I decided to find a color palette inspiration from Pinterest and let that determine the look of this quilt.

Colour Crush from Love Print Studio Blog

I fell in love with this terra cotta, coral, clay, forest green, and golden palette and knew that Art Gallery Fabrics carried so many Pure Solids in these ranges that coming up with a palette based on this Love Print Studio mood board would be a snap!

The morning of my fabric pull I was walking the dog and marveling at the blue sky when it dawned on me that an ombré background would be an awesome addition to this already earthy, southwestern-looking color palette—was I right???!!! My top is all pieced and am waiting for some Hobbs Poly-Down batting to arrive so I can quilt it. I’ve decide to use my Art Gallery Fabrics Destination Aerial print from my Tapestry collection as the backing and it could be any more perfect!

As promised, I want to share the fabric selection information with you. Now, be warned that doing an ombré background you’ll need to double the amount of background fabric for this quilt because of the size and odd shapes of the pieces create a lot of waste and left over fabrics. I used six gradient fabrics for horizontal rows of color with the two middle blues being used in two horizontal rows. Altogether you’ll need 25 colors (or 27 if each background row is a different gradient) to make a Hold Tight quilt with an ombré background. The rest of the yardage is unchanged.

Cutting Templates and Fabrics

The Hold Tight PDF pattern comes with the full-size templates which already include the seam allowances. Be sure when printing out your PDF pattern that you set you printer to 100%, no scale. Select a US letter paper size and deselect any borderless option (no borderless). Each template page has a 1” square reference square to check for printing scale accuracy. It’s extremely important you print the templates to true size.

With a permanent marking tool, trace the shapes onto heavy template plastic. I highly recommend Dritz Heavy Duty Template Plastic. Transfer shape letter information, grain line arrow. When tracing the Block Trimming Template, include the seam allowance and curves onto your template. Cut templates out with household scissors. Learn more about creating templates from the Hold Tight Sew Along Week #2 video found on my Sew Along page.

Refer to the PDF pattern for strip cutting information and number of pieces to cut. Let template straight edges and grain line marks help you to align the templates onto the fabrics for cutting. A 28 mm rotary cutter is highly suggested for cutting around curves. Use the extra guides of rotary cutter rulers when working on straight edges.

Tip: To help hold the template in place while cutting, roll Washi tape onto itself to make double-sided tape. Adhere the rolled tape onto the back of a template shape in 2-4 places. Fabric can be rotated for cutting ease without disturbing the template position and the taped template can be reused several times before the tape looses it stickiness.

When cutting the B shape pieces, utilize the straight edge of the strip to cut the first shape then rotate the template to make the second cut which leaves an oval shaped scrap. For more demonstrations on cutting see Week #2 video.

Unfortunately, curved patchwork comes with waste pieces. If you plan to do additional curved sewing like trying your had at my free Orange Peel Table Runner these waste pieces can be cut down into smaller sizes and used. Start a bin of castoff curves for that next project.

Stitching, pressing, and squaring up of a finished block will be covered next week and also in Week #3 Sew Along video Part 1 and 2 but I put this image here to show the importance that the template markings play in creating the Block Trimming Template.

A sew along’s a lot more fun with sponsors and giveaways, right!? Our friends at Dritz Sewing, the Fat Quarter Shop, Hobbs Batting, and Omnigrid have generously provided the Hold Tight Sew Along with products I know you’ll love! Every Friday I’ll be posting weekly a giveaway on Instagram. By using the hashtag #HoldTightSewAlong on Instagram every time you post sew along photos to a public account (private account posts don’t show up in hashtag pools) your IG account is automatically entered into the weekly sew along drawings! Ideas for what to share include your sew along progress, the “I’m a maker” sew along badge found HERE, your fabric pull, blocks, and finished quilt. Be sure to follow me on Instagram @sharonhollanddesigns so you never miss a thing!

THIS WEEK'S GIVEAWAY SPONSOR IS from DRITZ Sewing and Omnigrid

This Friday, March 29, 2019 the giveaway prize will be these wonderful Dritz and Omnigrid products:

Omnigrid 28 mm Rotary Cutter

2 Sheets of Dritz Heavy Duty Template Plastic

Dritz Shower Curtain Rings

Dritz Slip ‘N Grips

Glow Head Pins

Fabric Marking Pencils

If you’re wondering why I selected Dritz Shower Curtain Rings to be part of this giveaway package it’s because I love using everyday object in new ways and find this size shower ring to be so handy for keeping template pieces together, organizing swatch cards, note cards, bobbins, keys, etc. Anytime you can organize your work area is a good day, right?

Please note that this giveaway package is for US residence only (sorry, international friends, due to overseas shipping costs I’m asked by our sponsor to keep this giveaway US only.)

Don't forget the giveaways for this sew along are held on Instagram (not on the blog) and winning names are randomly drawn from the posts in the hashtag pool. By posting images of your Hold Tight color inspiration, fabric pull, blocks, or quilt. Use the official #holdtightsewalong hashtag every time you post your makes (to a public account) and you're automatically entered into the weekly IG drawings! See my Instagram Friday giveaway posts @sharonhollanddesigns for full details. 

Hold Tight Sew Along Week #1

Hold Tight Sew Along Week #1

Welcome to Week #1 of the Hold Tight Sew Along! For this blog post, and the following three posts, I'll be share tips and tutorials to bring your quilting skills to a new level. No longer will curved piecing hold you back from stitching a quilt with curves! 

If you don't have the pattern already, you'll want to purchase the Hold Tight PDF pattern from my Shop page or from our friends at Fat Quarter Shop who now carries this pattern as well as Hold Tight quilt kits. Please note that the kits from FQS will be ready to ship at or around March 23rd. Use the “Notify Me” function on the kit page to get updates on your order’s shipping date. These blog posts serve to supplement the instructions but don't provide the detailed pattern information that you'll find in the PDF available for purchase. The Hold Tight pattern will have your material list, cutting requirements, full-size templates, and be fully illustrated. My supplementary blog posts are just that, supplementary and meant to guide you along as you sew.

From now until April 10, 2019 I'll be breaking down the key components of the Hold Tight baby quilt pattern into four manageable tutorial blog posts. These tutorials will be useful to anyone working with fabric and patchwork regardless what quilt is being made. In addition to my written posts, I’ve adding skill-building demonstration videos to further your learning experience. The videos support Weeks #1 through #3 and you’ll find these helpful videos on my Sew Along page. All the videos will be available on Week #1 of the sew along for those wanting to work ahead and will stay a permanent feature to resource in the future.

Color and Transparency Effects

As outlined in last weeks blog post, Hold Tight Sew Along, I'll be covering a new topic each week. This week's lesson is all about selecting colors and working with transparency effects. 

Color is a big subject, but I'll attempt to give you a practical and applicable approach to color as it pertains to selecting fabrics for this quilt. 

Since color is the first thing anyone notices in a quilt—even before the design, we need an entire post just on this subject. The Hold Tight baby quilt offers plenty of opportunity to play with color through the graphic shape of a balloon. But where do you begin when you must decide on a maximum of 20 different solids!!!???

This quilt is marketed as a baby quilt but its large size also makes it suitable as a throw-size quilt for any age. Maybe there's already a nursery color scheme selected, favorite colors, or some sort of predetermined color inspiration (like from printed fabric or artwork). That's really helpful and gets you halfway to a fabric pull. If you'd like to create a color palette from creating a mood board, take a look back at the Community Sampler Week #1 post on this blog. If you remember, I made my Community Sampler quilt using Art Gallery Fabrics Pure Solids and my color inspiration came from creating a mood board from images I found on Pinterest. But, if selecting a color palette still seems daunting, read on.

As a textile designer, artist, and newbie to embroidery coming up with color palettes and selecting just the right color for a given project is an ongoing challenge. Rather than focusing just on color relationships and schemes like you'd find on a color wheel (e.g. Complementary, Split Complementary, Diad, Triad, and Tetrad), I'll walk you through color composition instead and how to select hues that work in unity together because of their shade, tint, and/or tone. Once you've discovered how to view a color by what colors it's made from you can always go back and incorporate traditional color wheel schemes into your fabric selection process.

When you start seeing beyond the colors within a given color (hue) you'll be able to successfully mix colors physically like with paint for example or visually, like with fabric transparency effects.

In this tutorial I'll be using the following technical terms:

Shade: Amount of black added to the hue

Tint: Amount of white added to the hue

Tone: Amount of gray added to the hue

Value: Lightness or darkness

Intensity: Brightness or dullness

Before I tackle mixing colors, let's first discuss the easiest way to select colors that achieve the effect of unity and transparency by using a Monochromatic color scheme. For both the Hold Tight pattern sample and the quilt you'll see featured in the sew along tutorials I'm using a combination of monochromatic color trans effects and mixed color transparency effects and sewing with Art Gallery Fabrics Pure Solids fabrics.

A Monochromatic color scheme uses one color and the shades and tints of that color. Art Gallery Fabrics has an array of shades and tints available for their Pure Solids and makes it easy to achieve beautiful gradation steps of colors—creating a transparency effect where the balloons overlap.

The four monochromatic color schemes above illustrate color steps arranged from tints (lightest) to shades (darkest) of a hue.

To illustrate mixing colors I'm going to refer back to the color wheel and start with the Primary Colors which are blue, red, and yellow. These three colors cannot be created by mixing other colors. 

If you mix equal parts blue and red you'll get violet (or also referred to as purple). Mixing red and yellow will create orange and mixing yellow and blue will result in green. These resulting colors are called Secondary Colors because they were made from mixing two different Primary Colors. 

Tertiary Colors are the result of mixing a Primary Color with a Secondary Color. The resulting color name always has the primary color first followed by the secondary color. For example: blue-green, red-violet, red-orange, yellow-orange, and yellow-green.

Crayola Color Wheel

As a kid I was fascinated by color and as soon as I could read I was memorizing the names of the crayons. From early on I saw the pattern of this primary color name first followed by secondary color name as a way to distinguish one color from another.

Anyone who's gone to the hardware store to buy a can of white paint knows about the zillions of options there are for “white” paint. Do you want a yellow-white, a pink-white (which has a whisper of red paint added to the can), a cool, blue-white, a white with a warm, green cast...??? You get the idea. Once you understand about Primary, Secondary, and Tertiary Colors you can start to see what makes up a particular hue.

I'm remaking a Hold Tight quilt for this sew along to put myself in your shoes of where to start for selecting colors. I had no color scheme in mind, so I got out my watercolor paints. If you don't have watercolors then attempt the same exercise with colored pencils, acrylics, pastels, crayons, markers, colored tissue paper that can be overlapped, or anything that can be mixed, blended, or overlaid and put onto paper for this lesson.

Begin with mixing Primary Colors to make violet, green, and yellow. Try to get as close of a match to a true Secondary hue as possible just to give yourself a clean and bright color sample (see Intensity definition). Next, create your Tertiary Colors. This is your starting point.

Start mixing colors and see what you end up with. I guarantee you'll create a lot of stuff you're pretty meh about but what's happening is you're learning about color and what colors go into to making a new color.

Now it's time to add black to your colors to create shades and darken a hue. A fun outcome of adding black to yellow is you'll create a drab olive green. True story: I never use a pre-mixed black paint when painting. I always create some sort of near-black from the colors already used in the art.

Next, add white to make tints and lighten a hue.

For some real fun try mixing colors that are directly across from each other on the color wheel (e.g. Complementary Colors). The results can vary from creating different brown hues to different gray tones depending on what colors make up the resulting hue.

After this exercise about shades, tints, and tones you'll start to notice how adding black, white, or a Complimentary Color has changed the original color's intensity and value. Intensity and value play a big part in relative contrast and why some colors appear dull and other bright. Using fabrics of the same relative intensity but of varying values is a good rule of thumb to give the overall effect of unity. All bright colors look less bright when placed in the same quilt or piece of art. Likewise if the palette is all muted or duller those colors make sense together because of the relative sameness. Now that's not a hard and fast rule, just an example. Many times in art, mixing intensities of colors can create a focal point where the bright, pure color stands out above the more muted tones. Artists often use colors of different intensities, temperatures (cool or warm), and values to make objects advance or recede in a painting.

Contrast is very similar to Intensity and describes the amount of difference between two or more colors. We know as quilters that contrast plays a big part in how a block reads or a quilt pops. If there’s little or no contrast between touching colors (or prints) then the overall effect is very flat and at a distance may read as one solid mass.

A great way to make a transparency areas successful is to utilize dark, medium, and light contrasting colors. Dark, medium, and light contrasts can be positioned in any order but I’ve found when a dark color is used on a balloon and a light colored balloon is overlapping it, using a medium (mixed result) color in the transparency area will be most affective for creating a transparency illusion. See the photo below at the transparency overlapping blocks.

Take a look at the colors you mixed and hopefully, there's some colors and blending that really speaks to you! For my quilt(s) I'm using Art Gallery Fabrics Pure Solids. Pull out all your solid fabrics or take your paper swatches to your fabric store for reference when purchasing fabrics. You may want to cut out the paint or mixed samples you want to work with. Assign the colors and color combinations you love a fabric that matches as close as possible. Don't feel you need to follow your mixed samples exactly and depending upon your available fabric colors you may need to make adjustments. Implement what you've learned in this mixing exercise and soon you'll be able to confidently make judgements about color mixing in your minds eye. Remember to look closely at the underlying colors that make up the color of the fabrics and select the transparency fabric color that would simulate as closely as possible the “mixed” result if you could mix the fabrics on either side of the transparency shape. Notice in the Monochromatic color scheme examples I’d grouped the colors by yellow-greens, greens, blue-greens, and aquas.

I’m calling my second Hold Tight quilt the Art Class Color Story because the above photo was the AGF color palette I came up with after my paint mixing exercise. Because I still need some print in my life I like adding a fun printed backing to an all solid quilt top. The Sporangia Plaid print from my Art Gallery Fabrics Signature collection was perfect!

The Art Class Color Story quilt uses PE-408 as the background and PE-402, PE-405, PE-410, PE-414, PE-427, PE-450, and PE-466 as the transparency fabrics.

If you have a design wall, pin up some swatches and take a step back. Squint your eyes and see if the colors make sense together. Likewise, taking a photograph of the fabric pull and viewing the photo on a screen can sometimes allow you to see color relationships you didn't notice in person.

If you’d like a fun read about fascinating and unknown histories of color, add The Secret Lives of Color to your library. Awarded NPR Best Books of 2017. (Amazon Affiliate link).

My fellow Art Gallery Fabrics Designers, Dana Willard, Mathew Boudreaux, and Alexandra Bordallo along with AGF Sewcialite Carolina Moore will also be sewing along with us and making a Hold Tight quilt. I’m excited to see the beautiful colors and looks all of you will make so don’t forget to snap some pretty pictures of your color lesson homework, fabric selection, or color palette process to share with the other Hold Tight Sew Along makers. If posting to Instagram or other social platforms be sure to use the hashtag #holdtightsewalong and tag me @sharonhollanddesigns so I see your beautiful work.

A sew along is a lot more fun with sponsors and giveaways, right!? Our friends at Dritz Sewing, the Fat Quarter Shop, Hobbs Batting, and Omnigrid have generously provided the Hold Tight Sew Along with products I know you’ll love! Every Friday, beginning on March 22nd through April 12th, 2019 I’ll be posting weekly a giveaway on Instagram. By using the hashtag #HoldTightSewAlong on Instagram every time you post sew along photos to a public account (private account posts don’t show up in hashtag pools) your IG account is automatically entered into the weekly sew along drawings! Ideas for what to share include your sew along progress, the “I’m a maker” sew along badge found HERE, your fabric pull, blocks, and finished quilt. Be sure to follow me on Instagram @sharonhollanddesigns so you never miss a thing!

Fat Quarter Shop - Woodlands Pure Elements Fat Quarter Bundle

Fat Quarter Shop - Woodlands Pure Elements Fat Quarter Bundle

This Friday, March 22, 2019 the giveaway prize will be the beautiful 15-piece Art Gallery Fabrics Woodland Pure Elements fat quarter bundle generously offered by the Fat Quarter Shop.

Don't forget the giveaways for this sew along are held on Instagram (not on the blog) and winning names are randomly drawn from the posts in the hashtag pool. By posting images of your Hold Tight color inspiration, fabric pull, blocks, or quilt. Use the official #holdtightsewalong hashtag every time you post your makes (to a public account) and you're automatically entered into the weekly IG drawings! See my Instagram Friday giveaway posts @sharonhollanddesigns for full details. 

My Signature Sampler Week #11

My Signature Sampler Week #11

The weeks are moving along quite fast on this sew along and we're already to block 11 out of 16!

Today's block comes from the Quilter's Planner 2018 magazine (Block 7 in the magazine) and I'm calling it Flying Geese block for this sew along. 

If you're just joining in on the fun, take a look at my first post for this sew along and pick up the quilt layout and color book page to start planning your sampler! The My Signature Sampler is based off block instructions from the Sewcial Bee Sampler (SBS), Community Sampler (CS), AGF Quilt Block Collection (AGF), and the blocks from the Quilter's Planner 2018 magazine (QP). If you have different favorite blocks and would rather include them in your quilt, please feel free to make this sampler with your own signature-style. 

If you need extra help with your patchwork or would like to learn how to control the direction of your prints in half-square triangle units and other piecing techniques, visit my Tutorials page for lots of great tutorials all in one place. Also, when making any Sewcial Bee or Community Sampler blocks you can access the original blog posts for each block and find additional tips and tutorials for piecing. If needed, just use the search bar at the top of the this page on the right and simply type in the block name.

Don't forget our blocks will be set on-point so if you have a fussy cut center, cut it on-point for best results. Note: I don't recommend cutting any other pieces of the blocks (other than a center square on-point for fussy cutting) because it will create bias edges along the outside of the block and increase chances of distortion. Keep any bias edges in the center of the block.

I love this block from the Quilter's Planner magazine but admit that it's a tricky one to piece. This block is my third attempt at it! But, The Quilter's Planner has you covered on this with additional Hints and Tips for this, July 2018 Block of the Month. Plus, if you're wanting to try your hand at foundation paper-piecing (FPP), they also have the instructions and template for constructing this block by FPP.

I used traditional patchwork construction for my block. My first attempt, I made the classic mistake of not reading the directions and making assumptions about the construction. For this block you must follow the cutting and piecing instructions to the minute details (accept for one part I'll discuss in a bit). Cut and make the Flying Geese units as directed in the magazine as these are set on point into the block and don't comply to standard dimensions. DON'T trim down to a standard size like I did the first time around!

My suggestion for deviating from the instructions comes with the 3-7/8" squares that will be cut in half diagonally and used as the corners of the Flying Geese sections. 

I suggest that instead of cutting the squares 3-7/8" you cut them 4" square. That way, after you attach the three triangles to make a quarter section of the block you have a tiny bit of wiggle room for squaring it to 6-1/2" square. 

2019 Quilter's Planner

Orders are now being taken for next year's planner and you have a choice of two cover designs for the planner plus they come with the Quilter's Planner 2019 magazine loaded with projects from the calendar plus and new sampler quilt project. 

My blocks are made using Art Gallery Fabric Pure Elements for the solids together with prints from the Signature fabric collection that I designed for Art Gallery Fabrics. For stock lists of online shops that carry my Signature and other collections I've designed for AGF, visit my Fabrics page or the Where to Buy page on the Art Gallery Fabrics site.

I've been adding my setting triangles to my finished blocks as I make them and have been sticking to original layout in the first week handouts. I'm using a combination of my Perennial print from Printemps Fusions and Untamed Beauty Daybreak from Signature as the background setting of my quilt but because this block will be in the middle of the quilt it only uses the Untamed Beauty print in the setting triangles. 

The setting triangles are made by cutting a 9-1/2'' square on the diagonal to make two setting triangles. Be mindful of print direction, if applicable. See Community Sampler Week #13 for block setting instructions. 

If you're interested in adding a chevron border to your sampler quilt, take a look at the week #6 blog post and pick up the border supplement PDF. I'll review the border option closer to the end of this sew along but just in case you wanted to sew or plan ahead, you have the information now.

GIVEAWAY

Every Friday when I reveal a new block to My Signature Sampler, I'll also be posting the weekly giveaway. This sew along is being sponsored by the most amazing companies and have generously donated incredible prizes to share with you. 

OUR SPONSORS

Art Gallery Fabrics | Hobbs Batting | The Quilter's Planner | Quilters Candy Box | Bloc_Loc | Dritz |  Omnigrid | Fat Quarter Shop

THIS WEEK'S GIVEAWAY SPONSOR IS: ART GALLERY FABRICS

Art Gallery Fabrics was started in 2004 by Pat and Walter Bravo. Since then creativity, beauty, and design have been their passions, and to this day, they have not changed--bringing a chic and modern perspective to the quilting industry.

When it comes to designing a fabric collection, AGF always keeps originality and uniqueness on the top of their list. Find your favorite fabric designers who create enticing color palettes and artful, intricate prints that make AGF collections one of a kind. Art Gallery Fabrics designs modern fabrics that keep up with ongoing trends and at the same time it encourages customers to use new colors and patterns so they venture out of their usual comfort zone.

Art Gallery Fabrics believes strongly in the quality of the fabric which is transcended in their superior thread count and fine weave making premium cotton as soft and smooth you can get. You really feel the difference with just one touch!

Blog  *  Facebook *  Instagram  * Pinterest

AGF has created a collector’s box of fabrics like no other! Hand-picked for makers to use in a multitude of creative projects. An explosion of color and design made of unique groups of AGF’s signature quality cotton paired up with an original and collectible box made exclusively for them! Color Master boxes include a selection of 10 prints in two choices: FAT QUARTERS or HALF YARDS. CHECK YOUR LOCAL STORE FOR AVAILABILITY OR BUY IT ONLINE.

This week's My Signature Sampler giveaway will put this beautiful Quite Peachy box of 10 fat quarters into one lucky winners stash! 

Giveaway now closed. Congratulations to Michele!

Note: This giveaway is open to EVERYONE! If you're a "no reply" or anonymous commenter, please remember to include your email address in your comment--you can't win if I can't get a hold of you!

1. Simply leave a comment here under this post! (First comment entry).

2. Follow Art Gallery Fabrics on any of their social media platforms (see links above). Just let me know that you did by making a separate comment here to record that entry. (Separate comment-second entry). 

3. My followers get a third entry! If you follow me via subscribing to my posts, on Pinterest, and/or Instagram, just let me know by making a separate comment here to record that entry. (Separate comment-third entry).

4. Help spread the word!! I know that many of you already do, so I thought it would be nice to add that as another way to enter! Spread the word about the My Signature Sampler sew along on YOUR instagram, Facebook, Twitter, Pinterest by pinning any of my pretty images in this post, etc... (separate comment-fourth entry). 

That’s FOUR possible entries! Enter now through Monday, September 3rd! The winner will be picked at random around 4pm Eastern. I will post the name of the winner on this post once they've been notified and responded to my email.

Don't forget to enter into this same giveaway on Instagram by posting images of your sampler inspiration, sampler fabric pull, or blocks. Use the official #mysignaturesampler hashtag every time you post your My Signature Sampler makes (to a public account) and you're automatically entered into the weekly IG drawings as well! See my Instagram giveaway posts @sharonhollanddesigns for full details. 

Happy Labor Day weekend!

Sharon

Yo-Yo Pillow

Yo-Yo Pillow

The final installment in my pillow series is this fun Yo-Yo Pillow. Yo-yos and pillows made from yo-yos are nothing new but it's something I've not seen done for awhile and there may be lots of new sewers out there that don't know how to make them.

Yo-yos are hand stitched from circles of fabric. I used a 6'' diameter circle to make mine but you can use whatever size you'd like. The smaller the starting circle, the smaller your finished yo-yo will be. They shrink considerably once stitched up and my finished yo-yos measured around 2-1/2'' across.

Yo-Yo Pillow

Materials needed to make an 18'' square finished pillow

• For front foundation and backing: Two 18-1/2'' squares for 1/4'' seams Lapped Zipper Back or two 19'' squares for 1/2'' seams Hidden Zipper back
• For yo-yos: Sixty-four 6'' diameter fabric circles
• One 14'' invisible zipper
• Aleene's No-Sew Fabric Glue
• One package 1/4'' -wide Dritz Wash Away Wonder Tape
• Zipper foot attachment
• Needle and thread
• Embroidery thread and needle
• Marking tool and ruler

Knot the end of a length of thread. Hiding starting knot on the wrong side of the fabric, turn circle edge 1/4'' under to wrong side while hand basting a running stitch 1/8'' from edge. Leave thread in needle and do not knot end when basting stitch reaches the starting knot. 

Pull loose thread end to gather, forming a yo-yo. The gathered edge will be pulled to the center. 

Flatten the yo-yo, centering the gathered closure. Secure thread with a double knot and hide thread inside the yo-yo. Make a total of 64.

There's a few ways you can connect your yo-yos for a pillow top. One way would be to stitch the yo-yos together with tiny stitches along the edges at four points like a compass then attach the connected circles to the pillow top. 

Another way would be to blanket stitch the yo-yos to the pillow foundation (leaving the appropriate 1/4''-1/2'' seam allowance around the edges of the foundation for pillow assembly.

I chose a middle road and "X" stitched my yo-yos directly to the foundation at four points. 

Since I only had an 18-1/2'' square piece of Art Gallery Fabrics Apricot Sunrise Smooth Denim I needed to take care not to stitch my yo-yos in the 1/4'' seam allowance area. I used the 1/4'' mark on my Omnigrid ruler as a guide. 

Since my yo-yos aren't perfectly sized and I wasn't sure if the amount made would fit my pillow foundation I wanted to have all the yo-yos in place before I started sewing. To keep my yo-yos in place without pinning, I put a dab of Aleene's No-Sew Fabric Glue on the back of each yo-yo and worked from the outside edges of the foundation in toward the center.

Once all in place and working on a flat surface, I hand stitched the yo-yos to the foundation with 3-ply strands of Aurifloss embroidery thread. Tip: Leave the side of the yo-yo nearest the foundation raw edge unstitched until after pillow is assembled. By leaving these sides free, the edge yo-yos can be folded in toward the center of the pillow durning assembly and stay free of the seam allowance area.

Stitch at four points and secure on back with double knots. 

Assemble the pillow using either my Lapped Zipper Back or Hidden Zipper tutorials.

I finished my pillow with a lapped zipper back in Signature fabrics Extempore Gala canvas.

After the pillow has been assembled, go back and finish hand stitching the edge yo-yos to the pillow. Insert an 18'' square pillow form.

Hand stitching yo-yos is a great take along pastime and perfect for lazy summer days of relaxing, mindless sewing on the go or just sitting at home. 

I hope you enjoyed these pillow projects. I've still more projects to post here before the Signature Look Book is published so come back and visit real soon for more summer sewing ideas.